Drawing Dragons

      The boys at my work place love to draw mythical creatures. I've included a video here for them to watch at home if they should dare to keep pursuing these animated beasts. Below are some of their recent drawings.

15 Best Tutorials On How To Draw A Dragon

When History Becomes Legend: Catapults and Dragons

Some of my little charges are very talented. These second
graders spent nearly two hours occupying themselves with
this art project after school.

It seems as though a very unfriendly dragon had wandered
into Medieval Christendom and decided to vent his anger
on a few unsuspecting knights.

However, the knights were not totally unprepared! They had
amassed, over time, an abundance of catapults, spears and goodly
armor for occasions such as these. After all, one can't just let
dragons go wandering about burning down perfectly
good churches and castles!

Oops. Somebody dropped a house on it's side.

If you breath fire you of course eventually become the color of it.

      During our discussions about their incredible piece of drawing, I spoke to the boys about another similar artwork depicting historically accurate battles (cough). This one in particular was created by women. A fact, mind you, that these small boys found difficult to swallow.

      The Bayeux Tapestry (French: Tapisserie de Bayeux, IPA: [tapisʁi də bajø], Norman : La telle du conquest) is an embroidered cloth—not an actual tapestry—nearly 70 metres (230 ft) long, which depicts the events leading up to the Norman conquest of England concerning William, Duke of Normandy and Harold, Earl of Wessex, later King of England, and culminating in the Battle of Hastings.

      According to Sylvette Lemagnen, conservator of the tapestry,

The Bayeux tapestry is one of the supreme achievements of the Norman Romanesque, ... Its survival almost intact over nine centuries is little short of miraculous, ... Its exceptional length, the harmony and freshness of its colors, its exquisite workmanship, and the genius of its guiding spirit combine to make it endlessly fascinating.

      The tapestry consists of some fifty scenes with Latin tituli (captions), embroidered on linen with coloured woollen yarns. It is likely that it was commissioned by Bishop Odo, William's half-brother, and made in England—not Bayeux—in the 1070s. In 1729 the hanging was rediscovered by scholars at a time when it was being displayed annually in Bayeux Cathedral. The tapestry is now exhibited at Musée de la Tapisserie de Bayeux in Bayeux, Normandy, France. Read and see more . . . 

• Bayeux Tapestry Museum
• Latin-English translation
• The Bayeux Tapestry - collection of videos, articles and bibliography
• Bayeux Tapestry – Propaganda on cloth, "A World History of Art".
• The Bayeux Tapestry Story
• High quality panoramic image of Bayeux Tapestry (Bibliotheca Augustana)
• Composition Musicality in the Bayeux Tapestry

Molas Characterized by Kuna Legends, Real Animals, Politics or Geometric Shapes

In this craft project, students make their own molas from paper instead of fabric. The methods of designing used in reverse applique are the same when using paper. However, the use of paper instead of fabric is much easier to do.

Both the crab and the turtle pictured here
are my teaching samples of paper molas.

      Traditional molas are made with fabric and a reverse applique technique. Several layers (usually two to seven) of different-colored cloth (usually cotton) are sewn together; the design is then formed by cutting away parts of each layer. The edges of the layers are then turned under and sewn down. Often, the stitches are nearly invisible. This is achieved by using a thread the same color as the layer being sewn, sewing blind stitches, and sewing tiny stitches. The finest molas have extremely fine stitching, made using tiny needles.

      The largest pattern is typically cut from the top layer, and progressively smaller patterns from each subsequent layer, thus revealing the colors beneath in successive layers. This basic scheme can be varied by cutting through multiple layers at once, hence varying the sequence of colors; some molas also incorporate patches of contrasting colors, included in the design at certain points to introduce additional variations of color.

      Molas vary greatly in quality, and the pricing to buyers varies accordingly. A greater number of layers is generally a sign of higher quality; two-layer molas are common, but examples with four or more layers will demand a better price. The quality of stitching is also a factor, with the stitching on the best molas being close to invisible. Although some molas rely on embroidery to some degree to enhance the design, those which are made using only the pure reverse-appliqué technique (or nearly so) are considered better.

      Molas will often be found for sale with signs of use, such as stitch marks around the edges; such imperfections indicate that the mola was made for use, and not simply for sale to tourists. A mola can take from two weeks to six months to make, depending on the complexity of the design.

Kuna woman selling Molas in Panama City

      The mola forms part of the traditional costume of a Kuna woman, two mola panels being incorporated as front and back panels in a blouse. The full costume traditionally includes a patterned wrapped skirt (saburet), a red and yellow headscarf (musue), arm and leg beads (wini), a gold nose ring (olasu) and earrings in addition to the mola blouse (dulemor).

      In Dulegaya, the Kuna's native language, "mola" means "shirt" or "clothing". The mola originated with the tradition of Kuna women painting their bodies with geometrical designs, using available natural colours; in later years these same designs were woven in cotton, and later still, sewn using cloth bought from the European settlers of Panamá.

^{More Related Content}

• The Art of Being Guna, from The San Diego Museum of Man. Retrieved February 19, 2006.
• Molas: the Textile Art of Panama, from The University of Missouri. Retrieved February 19, 2006.
• Rainforest Art. Retrieved February 19, 2006.
• "About Molas"March 26, 2008.
• " Mola HistoryJune 16, 2006
• Making a Paper Mola Lesson Plan
• Kuna and Their Molas
• Collage Mola: Free Lesson Plan Download
• Folk Art: From Mexico - Mexican handcrafts and folk art is a complex collection of items made with various materials and intended for utilitarian, decorative or other purposes. Some of the items produced by hand in this country include ceramics, wall hangings, vases, furniture, textiles and much more.