Showing posts with label birds. Show all posts
Showing posts with label birds. Show all posts

Tuesday, April 30, 2013

The Owl and The Jay Bird

A sweet little poem for publishing in your next school newsletter or reading lesson.

An old owl sat all day in a
barn.
The light was dim in the 
barn.
The owl was watching for mice.
He sat right still, and did not say a word.
The jay bird was a great gossip.

She was always going about talking.
She went to the barn to see the owl.
The jay began to talk.
The owl kept right still.

The jay talked and talked.
She staid a long time.
The owl did not say a word.
At last the jay flew away.

She told the cat-bird she
had never had such a de-
lightful chat.

She said that Mister Owl
was the most entertaining 
bird she knew.

--The Golden Age.

Monday, April 29, 2013

"The Raven," by Edgar Allen Poe

Once upon a midnight dreary, while I pondered, weak and weary, 
Over many a quaint and curious volume of forgotten lore, 
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door. 
"'T is some visiter," I muttered, "tapping at my chamber door— 
Only this, and nothing more."
 
Ah, distinctly I remember it was in the bleak December,
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow:—vainly I had sought to borrow
From my books surcease of sorrow—sorrow for the lost Lenore—
For the rare and radiant maiden whom the angels name Lenore—
Nameless here for evermore.
 
And the silken sad uncertain rustling of each purple curtain
Thrilled me—filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating
"'T is some visiter entreating entrance at my chamber door
Some late visiter entreating entrance at my chamber door;—  
This it is, and nothing more."
 
Presently my soul grew stronger; hesitating then no longer,
"Sir," said I, "or Madam, truly your forgiveness I implore;
But the fact is I was napping, and so gently you came rapping,
And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you"—here I opened wide the door;—
Darkness there, and nothing more.
 
Deep into that darkness peering, long I stood there wondering, fearing,
Doubting, dreaming dreams no mortal ever dared to dream before;
But the silence was unbroken, and the darkness gave no token,
And the only word there spoken was the whispered word, "Lenore!"
This I whispered, and an echo murmured back the word, "Lenore!"
Merely this and nothing more.
 
Back into the chamber turning, all my soul within me burning,
Soon again I heard a tapping, somewhat louder than before.
"Surely," said I, "surely that is something at my window lattice;
Let me see, then, what thereat is, and this mystery explore—
Let my heart be still a moment and this mystery explore;—  
'T is the wind and nothing more!"
 
Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately Raven of the saintly days of yore.
Not the least obeisance made he; not a minute stopped or stayed he;
But, with mien of lord or lady, perched above my chamber door—
Perched upon a bust of Pallas just above my chamber door—
Perched, and sat, and nothing more.
 
Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore,  
"Though thy crest be shorn and shaven, thou," I said, "art sure no craven,  
Ghastly grim and ancient Raven wandering from the Nightly shore,—
Tell me what thy lordly name is on the Night's Plutonian shore!"
Quoth the Raven, "Nevermore."
 
Much I marvelled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning—little relevancy bore;  
For we cannot help agreeing that no living human being
Ever yet was blessed with seeing bird above his chamber door—  
Bird or beast upon the sculptured bust above his chamber door,  
With such name as "Nevermore."
 
But the Raven, sitting lonely on the placid bust, spoke only
That one word, as if his soul in that one word he did outpour.  
Nothing further then he uttered—not a feather then he fluttered—
Till I scarcely more than muttered, "Other friends have flown before—
On the morrow he will leave me, as my hopes have flown before."  
Then the bird said, "Nevermore."
 
Startled at the stillness broken by reply so aptly spoken,
"Doubtless," said I, "what it utters is its only stock and store,
Caught from some unhappy master whom unmerciful 
Disaster Followed fast and followed faster till his songs one burden bore—  
Till the dirges of his Hope that melancholy burden bore  
Of 'Never—nevermore.'"
 
But the Raven still beguiling all my sad soul into smiling,
Straight I wheeled a cushioned seat in front of bird and bust and door;
Then, upon the velvet sinking, I betook myself to linking
Fancy unto fancy, thinking what this ominous bird of yore—
What this grim, ungainly, ghastly, gaunt and ominous bird of yore  
Meant in croaking "Nevermore."
 
This I sat engaged in guessing, but no syllable expressing
To the fowl whose fiery eyes now burned into my bosom's core;  
This and more I sat divining, with my head at ease reclining
On the cushion's velvet lining that the lamplight gloated o'er,
But whose velvet violet lining with the lamplight gloating o'er  
She shall press, ah, nevermore!
 
Then, methought, the air grew denser, perfumed from an unseen censer
Swung by seraphim whose foot-falls tinkled on the tufted floor.
"Wretch," I cried, "thy God hath lent thee—by these angels he hath sent thee  
Respite—respite and nepenthe from thy memories of Lenore!  
Quaff, oh quaff this kind nepenthe, and forget this lost Lenore!"
Quoth the Raven, "Nevermore."
 
"Prophet!" said I, "thing of evil!—prophet still, if bird or devil!—
Whether Tempter sent, or whether tempest tossed thee here ashore,  
Desolate yet all undaunted, on this desert land enchanted—
On this home by Horror haunted—tell me truly, I implore—
Is there—is there balm in Gilead?—tell me—tell me, I implore!"
Quoth the Raven, "Nevermore."
 
"Prophet!" said I, "thing of evil—prophet still, if bird or devil!  
By that Heaven that bends above, us—by that God we both adore—
Tell this soul with sorrow laden if, within the distant Aidenn,
It shall clasp a sainted maiden whom the angels name Lenore—
Clasp a rare and radiant maiden whom the angels name Lenore."  
Quoth the Raven, "Nevermore."
 
"Be that word our sign of parting, bird or fiend!" I shrieked, upstarting—  
"Get thee back into the tempest and the Night's Plutonian shore!
Leave no black plume as a token of that lie thy soul hath spoken!
Leave my loneliness unbroken!—quit the bust above my door!  
Take thy beak from out my heart, and take thy form from off my door!"  
Quoth the Raven, "Nevermore."
 
And the Raven, never flitting, still is sitting, still is sitting
On the pallid bust of Pallas just above my chamber door;  
And his eyes have all the seeming of a demon's that is dreaming,  
And the lamplight o'er him streaming throws his shadow on the floor;  
And my soul from out that shadow that lies floating on the floor  
Shall be lifted—nevermore!

for further study 

How to Draw: A Pelican

Draw a pelican from a rhomboid.

Crayon Resist Parrots

      A crayon resist, parrot project is perfect for teaching first and second graders how to work with their crayons and watercolor paints. Just have them color first with heavy layers of bright crayon and then wash over these with colorful washes of watercolor paints. The effects are stunning!

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Your students can view parrots and exotic birds interacting online even if they can't make a field trip to the zoo.

Wednesday, April 24, 2013

Learning to Draw Birds

In drawing, all objects should be studied under the general heads of:
  • The Copy, or Imitation.
  • The Object, or Observation.
  • The Memory and Imagination.
       In general, these three divisions should go hand in hand, each helping to explain and make clear the others. But if an order is followed in the study of birds, the best one for young pupils is as follows: (1) The copy; (2) memory and imagination; (3) the object.
       This order, however, is not intended to be arbitrary. If the object is something that can be leisurely studied, like a leaf, or a flower, then an order similar to this should be followed: (1) The object; (2) the copy; (3) memory and imagination.
       The principle of the construction of all birds is, in general, the same ; the difference is in the proportion and minor details. By learning the proportions and general features from pictures and drawings, much time will be saved, and the work made more effective and less discouraging than if the study is attempted from the living bird alone. This does not mean to blindly copy the drawings of others, but to study them intelligently, to study them with a view of learning their form and proportion and the general principle of bird construction. To learn such points  the following: The size of the head as compared with the body; the movement of the tail, head and body; how the feet are placed under the body to give perfect balance; how the wings rest on the body, and their movements when flying. All of these can be studied from drawings coupled with observation, and then verified on the real bird, much better than from the real bird alone. It is doubtful if one untrained in drawing can make very much headway learning to draw from such a restless bit of animation as a live bird, with its multiplicity of markings and numberless details. One must have both knowledge of the bird and skill in drawing to do this.
  • Balance
  • Character
  • Divisions of Study
  • General Directions
  • Drill Exercises
       Here is a simple sketch of how to draw a bird. Memorize how to draw birds from these instructions and soon little birds will be dancing across your notebook in no time.

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Sunday, March 31, 2013

Cold Water

Here's water! cold water!
'Tis better than wine.
I drink to your health,
You drink to mine.

See how it glitters
And sparkles so clear.
How men can be drunkards
Seems to me very queer.


Clear water, cold water,
Is good for us all,
The soldiers and sailors,
The great and the small.

Brave lads and fair lasses,
Be you ever so fine,
There is nothing like water
For your health and mine.