Showing posts with label All Hallows' Eve St. Louis Style. Show all posts
Showing posts with label All Hallows' Eve St. Louis Style. Show all posts

Sunday, October 24, 2021

The Puzzling Pumpkin

The Puzzling Pumpkin
by Roberta Symmes


This is the way the pumpkin looked,
Jolly fellow,- round and yellow!
This is the way the pumpkin looked
Out in the garden green.

This is the way the pumpkin looked,
Spooky,- very, big and scary,
This is the way the pumpkin looked
At jolly Hallowe'en.

Halloween Cats

Halloween Cats

Black cats, of season
Halloween,
You are the queerest I
have seen.

In pose, you're somewhat
like a curtain,
But that you're casts, I'm
still quite certain.

Your figures, rather
Oriental,
Would stamp you purely
ornamental.

No rat or bird such cats
would shun,
From you no smallest mouse would run.

For this, I love you, gentle
creatures,
And much admire your pleasant features.

Thursday, September 28, 2017

Hallowe'en by John Kendrick Bangs

HALLOWE'EN
by John Kendrick Bangs

BRING forth the raisins and the nuts -
To-night All-Hallow's Spectre struts
Along the moonlit way.
No time is this for tear or sob,
Or other woes our joys to rob,
But night for pippin and for bob.
And Jack-o'-Lantern gay.

Come forth ye lass and trousered kid,
From prisoned Mischief raise the lid.
And lift it good and high.
Leave grave old Wisdom in the lurch,
Set Folly on a lofty perch,
Nor fear the awesome rod of birch
When dawn illumes the sky.

'Tis night for revel, set apart
To reillume the darkened heart.
And rout the hosts of dole.
'Tis night when Goblin, Elf, and Fay,
Come dancing in their best array,
To prank and royster on their way.
And ease the troubled soul.

The ghosts of all things past parade.
Emerging from the mist and shade
That hid them from our gaze;
And full of song, and ringing mirth,
In one glad moment of rebirth,
Again they walk the ways of earth
As in the ancient days.

The beacon light shines on the hill,
The will-o'-wisps the forests fill
With flashes filched from noon;
And witches on their broom-sticks spry
Speed here and yonder in the sky,
And lift their strident voices high
Unto the Hunter's Moon.

The air resounds with tuneful notes
From myriads of straining throats.
All hailing Folly Queen;
So join the swelling choral throng,
Forget your sorrow, and your wrong,
In one glad hour of joyous song
To honor Hallowe'en!

Friday, November 1, 2013

Just Admiring the Giant, Halloween, Yard Art on A Lovely Fall Day . . .

What on Earth . . . ?

I think I saw this in a movie once or . . . twice.

What's the . . .?

No way.

Wow, that's a really BIG CAT!




Learn about "Boo at The St. Louis Zoo" 
from GmaGpaAdventures

Wednesday, October 30, 2013

Halloween Party Favor Ideas for The Classroom


       Treat your students this year with care! A beloved TA from our early learning center gifted  a special treat bag made from a plastic glove to each of our students. Inside of each one she stuffed: a glow light for trick-or-treating safely, Smarties for our little scholars, healthy fruit snacks, gold fish, a tattoo, fun foam stickers and a gummy hamburger.

More Halloween Treat Bag & Small Box Ideas:
  1. Batty Treat Holders by Paper Crave
  2. itsy bitsy box!
  3. 4 ideas from parenting
  4. Le Zucche Di Halloween   and Secchiello Pipistrello Porta Dolcetti
  5. Sour Cream Containers
  6. Ghost bags from coffee filters
  7. Halloween Takeout Boxes
  8. I Sacchetti Fantasma and Porta Bon Bon
  9. Halloween Flashback: Cardboard Tube Bat Treat Holders
  10. more coffee filter ghosts
  11. Halloween Treat Boxes
  12. Candy Corn Cone Favor
  13. pixy stick pockets
  14. Treat bags silhouette cello
Candy and Fruits and Other Foods Transformed:
  1. Apples decorated as spooks!  here too from Disneyland
  2. Spider Suckers
  3. Witch's broom sucker
  4. monster eyeballs
  5. Pumpkin Lollipop Holder
  6. Wrapped "mummy" apple
  7. Grape spider and cheese + a cottage cheese "Boo!"
  8. A black olive snake
  9. Eggs-quisite Eats for Li'l Devils
  10. Tombstone Sandwiches
  11. Halloween Five Layer Dip
  12. spiderweb pizzas
  13. A Jack-o-Lantern Hummus Plate
  14. Spooky Spider Snack
  15. Deviled eggs and olives for Halloween
  16. 'Candy Corn' fruit cups
  17. Dracula Pancakes
  18. Candy Corn Dipped Marshmallow Pops
  19. Frankenstein Marshmallow Pops
  20. Ghosts in the Graveyard
Cakes and Cookies For The Classroom:
  1. Halloween Treat Tutorial: Mini-Push Pop Oreo Cookie Shots
  2. Halloween Cake Pops from Pint Sized Baker
  3. Witch's Hat from A Sugar Cone
  4. Skeleton Cupcakes
  5. Halloween Cupcake Decorating - slide show from Better Homes and Gardens
  6. milano ghosts
  7. powdered donut eyeballs
  8. Halloween trick-or-treat snacks for school

Tuesday, October 29, 2013

A Safe Place For Trick-or-Treaters to Party

       This past weekend, all of the early learning center teachers and aids assembled at our school's elementary building and hosted the annual Halloween party for both our students and perspective students. Youngsters dressed up in costumes and teachers handed out treats while parent volunteers played games and crafted with kids in the gym.

Elementary students competed in a door decorating contest at our school. I'm not sure what the
winning class walked away with but it's probably safe to assume it
had something to do with food.

The door decorations served to create a festive environment for
trick-or-treaters touring the school

Sunday, October 20, 2013

The Haunted Palace

The Haunted Palace
by Edgar Allan Poe

In the greenest of our valleys
   By good angels tenanted,
Once a fair and stately palace—
   Radiant palace—reared its head.
In the monarch Thought’s dominion,
   It stood there!
Never seraph spread a pinion
   Over fabric half so fair!

Banners yellow, glorious, golden,
   On its roof did float and flow
(This—all this—was in the olden
   Time long ago)
And every gentle air that dallied,
   In that sweet day,
Along the ramparts plumed and pallid,
   A wingèd odor went away.

Wanderers in that happy valley,
   Through two luminous windows, saw
Spirits moving musically
   To a lute’s well-tunèd law,
Round about a throne where, sitting,
   Porphyrogene!
In state his glory well befitting,
   The ruler of the realm was seen.

And all with pearl and ruby glowing
   Was the fair palace door,
Through which came flowing, flowing, flowing
   And sparkling evermore,
A troop of Echoes, whose sweet duty
   Was but to sing,
In voices of surpassing beauty,
   The wit and wisdom of their king.

But evil things, in robes of sorrow,
   Assailed the monarch’s high estate;
(Ah, let us mourn!—for never morrow
   Shall dawn upon him, desolate!)
And round about his home the glory
   That blushed and bloomed
Is but a dim-remembered story
   Of the old time entombed.

And travellers, now, within that valley,
   Through the red-litten windows see
Vast forms that move fantastically
   To a discordant melody;
While, like a ghastly rapid river,
   Through the pale door
A hideous throng rush out forever,
   And laugh—but smile no more. 

     "The Haunted Palace" is a 48-line poem was first released in the April 1839 issue of Nathan Brooks' American Museum magazine. It was eventually incorporated into "The Fall of the House of Usher" as a song written by Roderick Usher. Read more...

How To Draw a Halloween Cat

How to draw a Halloween cat by E. G. Lutz. Printable instruction sheet.



Once you've mastered drawing the simple cat above, why not try drawing a black cat on top of black paper like the one shown in the video below?


Draw Even More Black Cats:

Saturday, October 5, 2013

Pumpkin and Jack-O-Lantern Number Books

Crafting and gifting little number books for Fall related themes is not all that uncommon in day care programs or
early learning centers. So, I have decided to submit here a few simple ideas of my own. You can use the
same patterns for either version of this craft. One version is a spooky Jack-O-Lantern and the other is a decorative
 pumpkin. Both crafts include pumpkin seeds as the elements that young students are to count on each
 individual page.
As you can see, students may count the seeds and also associate the written number with the quantity of those
seeds on every page. Don't forget to include zero at the very beginning. Each of my number books
includes 11 pages. Above, you can see the decorative pumpkin cover using painted papers.

Here is my Jack-O-Lantern version of the same project. I have also included a little "illuminated candle on
every page as well!
Above is my page of patterns for both versions of this little Fall number book.
Below is an additional page of burning candles that I have drawn for those of
you who would prefer to turn your fall number book into a Jack-O-Lantern.

Friday, September 27, 2013

"Spooky" Tree Watercolor Painting

      I first observed this simple little art project taught in an elementary school in Bellville, Illinois. The kindergarteners seemed to love it. You will need to collect the following supplies:
  • orange construction paper
  •  straws
  • watery black paint in individual paper cups
  • black permanent ink markers
  • paint shirts
  • a drying rack
  • glass eye droppers
  • tables covered with newsprint to prevent mess
Step-by-step instructions:
  1. Each student will need to suck in the watery black paint with an eye dropper and strategically pool it near the bottom of their orange construction paper. The teacher may decide to do this part of the project for each student if he or she feels they are too young to handle the eye droppers responsibly.
  2. Then students should hold a straw approximately half an inch above the puddle and blow through it while watching the watery paint streak up their paper. This exercise will produce some very spooky looking shrubs, brush, and trees!
  3. After the Halloween "foliage" has dried (day 2), students may then draw onto their pictures with black permanent markers: Jack-O-Lanterns, a fence, bats, cats, crows, owls etc...

Tuesday, September 24, 2013

Paint, Cut and Paste Your Own Bumpy Little Pumpkins

      This little story reminds me of the trips my husband and I used to take to the pumpkin patch with our children every year when they were small. They would roam the fields for an entire afternoon looking for the perfect pumpkins to carve on Halloween. My husband would pull them in a little red wagon when their small legs became tired. It was a charming annual event and some of our best photo opportunities happened in the pumpkin patch. 
      The little girl in this story feels self-conscious about her preference for the bumpy pumpkin. Her sisters tease her but her animal friends encourage her to trust her own artistic vision for the bumpy jack-o-lantern she imagines in her head. I will be reading this sweet little story at the early learning center this Fall and will also include a bumpy little pumpkin craft along with it.
"The Bumpy Little Pumpkin" by Margery Cuyler is illustrated by Will Hillenbrand. Teaches young students the importance of perseverance and individual taste.
I used the above pictures sponge rollers for the painting of these little bumpy pumpkins. I also mixed together both red glittery paint and a bright orange acrylic to achieve the color and texture used in this Halloween craft.
These "baby faced" jack-o-lanterns wouldn't scare anybody. A simple and sweet cut and paste project for very young students.

Saturday, September 14, 2013

Scrumdiddlyumptious Apple and Quince Treats and Recipes!

      It has been said that apples may be prepared in more than 200 different ways; and following the slogan "Eat an apple a day and keep the doctor away," it should prove easy and interesting to serve them at least once daily in late September menus.
      Quinces and crabapples, while not so popular as the apples, may also form the basis of many delicious dishes, and in the way of preserves, a savory catsup, jellies and marmalade they are two of our best fall fruits. 
      In making quince jelly be sure that not a single seed is cooked with the fruit, as these have a mucilaginous property which will prevent jelling, giving instead a ropy, thick syrup.
      Baked and as sauce are the most popular ways of serving apples, and yet these may be varied so that a different style is possible for every day in the week. When cooking apple sauce if it be strained do not core or pare the fruit--merely cut into pieces and add the water. This saves time, gives a larger quantity of sauce and more flavor and color.
      If apples are to be cooked in quarters, first cook the skins and cores in cold water, with a few slices of orange or lemon, stick cinnamon and a dusting of nutmeg. Then strain, and in this juice cook the apples. It will give a better flavor to the fruit and a richer syrup. Apples cooked in this way are practically preserved and are delicious served as a compote. Raisins, dates, figs or preserved ginger may be added to suit the individual taste.
      This same method of cooking is recommended for stewing crabapples and quinces; these are excellent as compotes.
      Never attempt to cook a dry sweet apple, as no matter what the recipe the result will be a flavorless dish. Select rather tart, juicy cooking apples and always add as little water as possible, so as not to dilute the true flavor. Virginia Carter Lee, New York Tribune, September 24, 1922.

New England Baked Apples
      For the New England baked apples butter a quart baking dish, fill with peeled, quartered apples, dust lightly with ground cinnamon and a bit of grated lemon peel. Add one cupful of maple syrup, cover and bake in a slow oven until tender. Serve with cream.
Escalloped Quinces
      To prepare baked escalloped quinces, pare, core and cut the fruit in halves. Place with the hollow side up in a pan, fill the cavities with sugar, add a few slices of orange and pour in enough quince liquor (made by boiling the skins) to half cover the fruit. Covert he dish or pan and bake for several hours in a slow oven. Then uncover, dust thickly with crushed, dried bread crumbs mixed with melted butter and brown over in a quick oven. Serve with a hard sauce flavored with vanilla.
Apple Toast and Bacon
       Apple toast with bacon is a very good breakfast dish. For an individual service stew a peeled and quartered apple in one tablespoon of butter, two of water and one of sugar. When tender arrange on a round of fried bread and lay over the top, two slices of crisp broiled bacon.
More Apple Ideas
      In preparing either the apple muffins or cornbread merely add chopped, peeled apples to your usual batter and slightly increase the amount of sugar and baking powder.
      The variety of apple salads is almost endless, and this fruit combines admirably with either chopped celery or shredded cabbage. Used with the latter it gives a particularly healthful salad and one especially adapted to serve the children's health and happiness. A few chopped walnuts are a great addition and either a boiled or mayonnaise dressing is recommended. 
      For the carbapple pie slice the flesh from the cores of the apples but do not peel them. Fill into a deep pie plate lined with pastry and cover with bits of butter, one and a half cupfuls of sugar and a slight dusting of nutmeg. Cover the top with strips of pastry, arranging crisscross fashion and bake in a moderate oven.
Glace Crabapple
      The glace crabapples are prepared from an old-fashioned recipe and are especially good; they may be stored as canned fruit or will keep for some time in stone crocks. Select a firm, red variety and for a peck of the fruit allow five pounds of sugar. Put the fruit and sugar in layers into a stone crock or deep casserole and add two broken sticks of cinnamon and a tablespoonful of cassia buds. Cover the jars with a buttered paper and bake in a slow oven for two and a half hours. This dish is very good prepared in a fireless cooker. (Crock Pot, set on low it would take longer than two hours to cook!)
Apples and Sweet Potatoes
      A very excellent dish is the escallop of apples and sweet potatoes. Peel and cut boiled sweet potatoes into quarter-inch slices. Butter a baking dish, put in a layer of the potatoes, sprinkle with grated nutmeg and dot with bits of butter. Cover with a layer of thinly sliced apples and dust with ground cinnamon. Continue with alternate layers of apples and potatoes and sprinkle the apples lightly with brown sugar. When the ingredients are used have the top layer of potatoes and cover with buttered crumbs. Bake for one hour in a moderate oven.
Apple Frosting
      A delicious filling for a layer cake can be made from apples. Boil one cupful of sugar with one-third of a cupful of water (without stirring) until it threads and pour on the stiffly whipped white of one egg. Continue to beat until thick and fold in one grated tart apple and a half teaspoonful of orange extract. Spread the filling between the cake layers and sprinkle with minced candied orange peel. A cake filled with frosting should be eaten the same day or it becomes soggy.
Apple Betty With Cheese
      Mix four tablespoonfuls of melted oleo with two cupfuls of soft bread crumbs. Some people prefer the browness and added flavor of crumbs sauted in butter. Pare, core and slice four apples. Mix together one-third of a cuptul of brown sugar, half a teaspoonful of ground cinnamon, a quarter of a teaspoonful each of the ground cloves and nutmeg and a quarter of a teaspoonful of salt.
      Arrange the alternate layers of crumbs and apples in a buttered baking dish, sprinkling the fruit with the seasonal sugar. Continue the layers until the dish is filled and pour over a syrup made from two tablespoonfuls of hot water, the juice of half a lemon and a tablespoonful of sugar.
      Cover the top with the crumbs mixed with three tablespoonfuls of grated cheese and bake slowly for forty minutes. Cover the pudding at first, so that it will not brown too quickly.

You know when autumn has arrived when the crab apple trees are sagging under the weight of fruit. Carb apples are great for making jelly as they are full of pectin. In this video I therefore show you how to make crab apple jelly. More about wild foods at www.self-sufficientinsuburbia.blogspot.c
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Crabapple Catsup 
      Cook five pounds of crabapples with one pint of vinegar for eight minutes, or until the fruit is soft. Press through a fine sieve, turn into a preserving kettle and add two and a half pounds of brown sugar, three tablespoonfuls of ground cinnamon and half a tablespoonful each of salt, paprika and ground cloves. Simmer until thick and store in sterilized, self-sealing bottles, as for tomato catsup.   
Crabapple Ice Cream 
      Have ready one pint of sifted, well sweetened apple sauce that has been flavored while cooking with ground cinnamon, grated nutmeg and lemon juice to taste. Have the sauce quite thick and while hot stir in two tablespoonfuls of melted butter. Cool, chill on the ice and fold in the stiffly whipped white of one egg and one pint of double cream that has been whipped solid and sweetened with two tablespoonfuls of powdered sugar. Freeze slowly, using three parts of ice to one of rock salt.
Quince Marmalade
      Cook the skins of the pared quinces in water to well done. For every quart, cover and add also yellow rind of one large lemon. Cook for forty minutes, then strain and in this liquid cook the cored fruit that has been cut into small pieces. When the fruit is tender press through a fine sieve and allow three-quarters of a cupful of sugar for each cup of the pulp. Let the quince cook for twenty minutes, add the hot water and for a pint of the combined fruit and sugar add the juice of half a lemon and half a cupful of blanched chopped almonds. Cook down quite thick and store as for jelly. (Do not use any of the quince seeds.)
Marlboro Pie
      Wipe and cut in quarters three large juicy apples. Steam until tender, rub through a fine sieve and add one-third of a cupful of butter. Add one-third of a cupful of sugar, three lightly beaten eggs, the rind of half an orange, grated, a few grains of salt, four tablespoonfuls of thick cream and a tablespoonful and a half each of grape juice and lemon juice. Have ready a deep pie plate lined with pastry, put on an ornamental rim, turn in the mixture and bake in a moderate oven until firm. Cover the top with sweetened whipped cream arranged in a lattice fashion and garnished cubes of crabapple jelly.
Spiced Apple Jelly
      Cut half a peck of juicy cooking apples in three pints of vinegar and one pint of water until soft, adding an ounce of broken stick cinnamon, two slices of lemon, half an ounce of whole cloves and half a teaspoonful of grated nutmeg. When soft drain through a jelly bag, boil the juice for twenty minutes and add three quarters of a cup of sugar for each cupful of the juice. Simmer until it jells, skim well and store as for ordinary jelly. This is delicious served with chicken, duck, roast pork and either cold or hot ham.
Apple Foam
      Have all the ingredients thoroughly chilled. Turn into a large bowl, two-thirds of cupful of sweetened, strained apple sauce (flavored with lemon and nutmeg) and add two tablespoonfuls of finely minced preserved ginger, two stiffly whipped egg whites blended with two tablespoonfuls of powdered sugar and half a cupful of thick cream, beaten solid. Turn into parfait glasses lined with strips of sponge cake and top each portion with a maraschino cherry.
Spiced Crabapples
      If the crabapples are hard they should be steamed before being added to the syrup. With the softened fruit press two cloves into each crabapple after removing the blossom ends. Prepare syrup from cooking together three and half pounds of brown sugar , three cupfuls of vinegar, about one and half cupfuls of water, one dozen cassia buds and three ounces of broken cinnamon sticks. When this has cooked seven minutes put in the crabapples, a few at a time, and cook until tender, but not broken. Skim out into sterilized jars, simmer down the syrup until quite thick and fill the jars to overflow. Seal as for canned fruit. Divide the spices among the jars.

More Apple Treats:
More Desserts Made With Quince:

How Halloween Came To Be Celebrated in Christendom


English: All Saints Day Sanok.
During Hallowmas, many 
Christian believers visit graveyards
 in order to place flowers and candles 
on the graves of their loved ones.
        North American almanacs of the late 18th and early 19th century give no indication that Halloween was celebrated here. the Puritans of New England, for example, maintained strong opposition to Halloween and its was not until the mass Irish and Scottish immigration during the 19th century that it was brought to North America in earnest. Confined to the immigrant communities during the mid-19th century, it was gradually assimilated into mainstream society and by the first decade of the 20th century it was being celebrated coast to coast by people of all social, racial and religious backgrounds.     
      Development of artifacts and symbols associated with Halloween formed over time. The turnip has traditionally been used in Ireland and Scotland at Halloween, but immigrants to North America used the native pumpkin, which is both much softer and much larger – making it easier to carve than a turnip. Subsequently, the mass marketing of various size pumpkins in autumn, in both the corporate and local markets, has made pumpkins universally available for this purpose. The American tradition of carving pumpkins is recorded in 1837 and was originally associated with harvest time in general, not becoming specifically associated with Halloween until the mid-to-late 19th century.
      The modern imagery of Halloween comes from many sources, including national customs, works of Gothic and horror literature (such as the novels Frankenstein and Dracula) and classic horror films (such as Frankenstein and The Mummy). One of the earliest works on the subject of Halloween is from Scottish poet John Mayne, who, in 1780, made note of pranks at Halloween; "What fearfu' pranks ensue!", as well as the supernatural associated with the night, "Bogies" (ghosts), influencing Robert Burns' Halloween 1785. Elements of the autumn season, such as pumpkins, corn husks and scarecrows, are also prevalent. Homes in the United States are often decorated with these types of symbols around Halloween. The autumn colors are most commonly associated with All Hallow's Eve because of the time of year that it takes place during.
       Halloween, as with many other holidays, has frequently been associated with unsavory themes; themes like death, evil, the occult, and mythical monsters because there are many people who are entertained and preoccupied with this kind of negativity. If we allow others to take what can be thoughtfully understood and celebrated for positive reasons, every holiday no matter what the origins, will be manipulated to the advantage of those in our culture to represent what they care about. Halloween has long been misrepresented in popular American culture as something evil, but it does not need to be.
       All Hallows Eve is was often celebrated to be about the triumph of good over evil for many centuries. On Hallowe'en (All Hallows' Eve), in Poland, believers are taught to pray out loud as they walk through the forests in order that the souls of the dead might find comfort; in Spain, Christian priests toll their church bells in order to allow their congregants to remember the dead on All Hallows' Eve. The Christian Church traditionally observed Hallowe'en through a vigil "when worshippers would prepare themselves with prayers and fasting prior to the feast day itself." This church service is known as the Vigil of All Hallows or the Vigil of All Saints; an initiative known as Night of Light seeks to further spread the Vigil of All Hallows throughout Christendom. After the service, "suitable festivities and entertainments" often follow, as well as a visit to the graveyard or cemetery, where flowers and candles are often placed in preparation for All Hallows' Day or All Saint's Day.
      The origin of the festival of All Saints celebrated in the West dates to 13 May 609 or 610, when Pope Boniface IV consecrated the Pantheon at Rome to the Blessed Virgin and all the martyrs; the feast of the dedicatio Sanctae Mariae ad Martyres has been celebrated at Rome ever since. There is evidence that from the fifth through the seventh centuries there existed in certain places and at sporadic intervals a feast date on 13 May to celebrate the holy martyrs. The origin of All Saints' Day cannot be traced with certainty, and it has been observed on various days in different places. However, there are some who maintain the belief that it has origins in the pagan observation of 13 May, the Feast of the Lemures, in which the malevolent and restless spirits of the dead were propitiated. Liturgiologists base the idea that this Lemuria festival was the origin of that of All Saints on their identical dates and on the similar theme of "all the dead".
      The feast of All Saints, on its current date, is traced to the foundation by Pope Gregory III (731–741) of an oratory in St. Peter's for the relics "of the holy apostles and of all saints, martyrs and confessors, of all the just made perfect who are at rest throughout the world", with the day moved to 1 November and the 13 May feast suppressed.
      This fell on the Celtic holiday of Samhain, which had a theme similar to the Roman festival of Lemuria, but which was also a harvest festival. The Irish, having celebrated Samhain in the past, did not celebrate All Hallows Day on this 1 November date, as extant historical documents attest that the celebration in Ireland took place in the spring: "...the Felire of Oengus and the Martyrology of Tallaght prove that the early medieval churches [in Ireland] celebrated the feast of All Saints on April 20."
      A November festival of all the saints was already widely celebrated on 1 November in the days of Charlemagne. It was made a day of obligation throughout the Frankish empire in 835, by a decree of Louis the Pious, issued "at the instance of Pope Gregory IV and with the assent of all the bishops", which confirmed its celebration on 1 November. The octave was added by Pope Sixtus IV (1471–1484).
      The festival was retained after the Reformation in the calendar of the Anglican Church and in many Lutheran churches. In the Lutheran churches, such as the Church of Sweden, it assumes a role of general commemoration of the dead. In the Swedish calendar, the observance takes place on the Saturday between 31 October and 6 November. In many Lutheran Churches, it is moved to the first Sunday of November. In the Church of England it may be celebrated either on 1 November or on the Sunday between 30 October and 5 November. It is also celebrated by other Protestants of the English tradition, such as the United Church of Canada, the Methodist churches, and the Wesleyan Church.
      Protestants generally regard all true Christian believers as saints and if they observe All Saints Day at all they use it to remember all Christians both past and present. In the United Methodist Church, All Saints' Day is celebrated on the first Sunday in November. It is held, not only to remember Saints, but also to remember all those who have died who were members of the local church congregation. In some congregations, a candle is lit by the Acolyte as each person's name is called out by the clergy. Prayers and responsive readings may accompany the event. Often, the names of those who have died in the past year are affixed to a memorial plaque.
      In many Lutheran churches, All Saints' Day and Reformation Day are observed concurrently on the Sunday before or after those dates, given Reformation Day is observed in Protestant Churches on 31 October. Typically, Martin Luther's "A Mighty Fortress is Our God" is sung during the service. Besides discussing Luther's role in the Protestant Reformation, some recognition of the prominent early leaders of the Reformed tradition, such as John Calvin and John Knox, occurs. The observance of Reformation Day may be immediately followed by a reading of those members of the local congregation who have died in the past year in observance of All Saints' Day. Otherwise, the recognition of deceased church members occurs at another designated portion of the service. 

Hallowe'en In Olden Time.

"What fearfu' pranks ensue!"
      Hallowe'en, or the eve of All Saints, is one of the oldest feasts of the Catholic Church, and has been the occasion of sport and pranks bordering on the clairvoyant for centuries past. In old English times it was a night of mystery, full of charms and revelry and queer pastimes.
      Delving into the future in order to catch a glimpse of one's prospective other half was one of the enjoyments. Many of the tricks practiced on this eventful evening were so odd and withal so weird that the claim that they have been handed down from Druidical times seems just. The folk lore and legions of the Celt are of a more kindly, spiritualized form than are the myths and fables of heathen countries. The resemblance between those of the two countries, Ireland and Scotland, is so striking that a frolicsome lad could easily leave his native heather to spend the evening of All Hallow-mas on the South side of the Giant's Causeway, listening to tales of Carrig-na-Pooka and feel altogether "at home." Indeed, the "spells" and witchery indulged in on this great night when elves were dancing on the highways in Ireland, the brownies were holding carnival in the land that claims the Doon.
      Sowing the hemp seed at midnight in a lonely field was customary with both nations. Burns tells us that Jamie Fleck took a handful of hemp seed and going out alone, "tho' saer afeard," to sow the seed, all the time repeating as he advanced;

"Hemp seed, I sow thee,
An' ner that is to be my lass
Come after me and draw thee
As fast, this night."

      Drawing his narrow furrow along the ground poor Jamie struck his neighbor's pig, its squealing causing him terrible fright. "An' young an' auld cam' runding out to hear the sad narration."
      To dip the left shirt sleeve into a rivulet, "where three lairds, lands meet," and going home, place it before the fire to dry, would bring the future wife, who would turn the sleeves other side to the fire. This was a trick also peculiar to both Irish and Scotch.
      Putting nuts into a blazing fire, naming each after one's sweetheart, was supposed to be a fine way of ascertaining the temper and disposition of the dear one nearest the heart. If they "bleezed brightly togither," then so would the lives of the two whose names were bestowed on the good housewife's nuts. But if the nuts jumped and sputtered "and flew high that night with saucy pride," so would the sad sight "make the heart sair to see," as they sat around the well-swept hearth. In Ireland, as in Scotland, maidens combed their tresses in front of a mirror while eating an apple all the time and, at the lonely midnight hour, in the midst of the trick, their conjugal companion was expected to look over their shoulder into the mirror.
      Indeed, the de'll alone was out that night," the jolly picture painter of Scotland's customs assures us. As he tells of the tricks in vogue among his people, he mentions the class of aerial beings that supposedly inhabited Ireland more than any other land. In "Hark, the Mavis," he refers to them as inhabiting:

"Yonder Clouden's silent towers
Where at moonshine, midnight hours
O'er the dewey, bending flowers
Fairies's dance sae cheery."

      On Hallowe'en in Ireland, no one would venture out, unless compelled by great necessity, because the fairies were supposed to be abroad. The lofty towers that exist in Ireland were thought to be the abiding places of some of these "good people," and the thickets and lonely spots of the country places also had their fairies. The little red-capped, red coated fairy was a great favorite among the country people. To catch one of these little chaps and hold him until he would tell where some great wealth was buried was one of the pleasant tales of the old days. The belief in fairies was firmly rooted in Ireland, and it was the belief that led to the queer doings, that obtained among them on Hallowe'en.
      The young people would go early in the afternoon and remain over night, rarely braving the terrors of a journey home after midnight on this particular evening. Sounds were heard and strange sights seen, blazing fires on hill-tops being among the odd things visible in Ireland on All Hallowe'en, especially, at midnight. The lonely rocks on the fishing coasts of this green isle echoed the wail of the banshee's cry, and the moss-grown abbeys, with their empty, ruined stalls and desolate altars, were more gloomy and awe-inspiring on Hallowe'en than on any other day. As a more commercial spirit advances among nations these strange beliefs are dying out and Ireland's fairies and Scotland's brownies have become a myth and nothing more.

Friday, September 6, 2013

Corpse Bride

      "Corpse Bride", often referred as "Tim Burton's Corpse Bride", is a 2005 stop-motion-animated horror musical film directed by Tim Burton and Mike Johnson. The plot is set in a fictional Victorian era village in Europe. Johnny Depp led an all-star cast as the voice of Victor, while Helena Bonham Carter voiced Emily, the title character. Corpse Bride is the third stop-motion feature film produced by Burton and the first directed by him (the previous two films, The Nightmare Before Christmas and James and the Giant Peach, were directed by Henry Selick). This is also the first stop-motion feature from Burton that isn't distributed by Walt Disney Pictures.


      The film was nominated in the 78th Academy Awards for Best Animated Feature, but was beaten by Wallace & Gromit: The Curse of the Were-Rabbit, which also starred Helena Bonham Carter. It was shot with a battery of Canon EOS-1D Mark II digital SLRs, rather than the 35mm film cameras used for Burton's previous stop-motion film The Nightmare Before Christmas.
      In an unnamed Victorian Era European village, Victor Van Dort (Johnny Depp), the son of nouveau riche fish merchants, and Victoria Everglot (Emily Watson), the neglected daughter of hateful aristocrats, are getting prepared for their arranged marriage, which will raise the social class of Victor's parents and restore the wealth of Victoria's penniless family. Both have concerns about marrying someone they do not know, but they fall instantly in love when they first meet. After the shy, clumsy Victor ruins the wedding rehearsal and is scolded by Pastor Galswells (Christopher Lee), he flees and practices his wedding vows in the nearby forest, placing the wedding ring on a nearby upturned tree root.
Theatrical Release Poster.
      The root turns out to be the finger of a dead girl clad in a tattered bridal gown, who rises from the grave claiming that she is now Victor's wife. Spirited away to the surprisingly festive Land of the Dead, the bewildered Victor learns the story of Emily (Helena Bonham Carter), his new "bride," murdered years ago on the night of her secret elopement. Emily, as a wedding gift, reunites Victor with his long-dead dog, Scraps. Meanwhile, Victoria's parents hear that Victor has been seen in another woman's arms, and become suspicious.
      Wanting to reunite with Victoria, Victor tricks Emily into taking him back to the Land of the Living by pretending he wants her to meet his parents. She agrees to this and takes him to see Elder Gutknecht (Michael Gough), the kindly ruler of the underworld, to send him and Emily temporarily to the Land of the Living. Once back home, Victor asks Emily to wait in the forest while he rushes off to see Victoria and confess his wish to marry her as soon as possible, to which she gladly returns his feelings. Emily soon arrives and sees the two of them together and, feeling betrayed and hurt, drags Victor back to the Land of the Dead. Victoria tells her parents that Victor has been forcibly wed to a dead woman, but they believe she has lost her mind and lock her up in her bedroom. She escapes her room by window and rushes to Galswells to find a way helping Victor, but fails. With Victor gone, Victoria's parents decide to marry her off to a presumably wealthy newcomer in town named Lord Barkis Bittern (Richard E. Grant), who appeared at the wedding rehearsal, against her will.
      Emily is heartbroken by Victor's deception. Victor, however, apologizes for lying to her, and the two reconcile while playing the piano together. Shortly after, Victor's family coachman appears in the afterlife (having recently died) and informs Victor of Victoria's impending marriage to Lord Barkis. At the same time, Emily learns from Elder Gutknecht that because marriage vows are only binding until "death do you part" and death already parts them, her supposed marriage to Victor was never valid. In order for their marriage to become valid, Victor must repeat his vows in the Land of the Living and willingly drink poison - thus joining her in death. Overhearing this, and fretting about having lost his chance with Victoria, Victor agrees to die for Emily. All of the dead go "upstairs" to the Land of the Living to perform the wedding ceremony for Victor and Emily. Upon their arrival, the town erupts into a temporary panic until every living person recognizes each others' loved ones from the dead and they have a joyous reunion under the bizarre circumstances.
     After a quarrel with Lord Barkis - and realizing he was only after her supposed money - Victoria follows the procession of dead to the church. As Victor prepares to drink the cup of poison to kill himself, Emily notices Victoria and has second thoughts, realizing that she is denying Victoria her chance at happiness the same way it was stolen from her. Lord Barkis interrupts them, and Emily recognizes him as her former fiance - who is revealed to be the one who murdered her for her dowry. Lord Barkis tries to kidnap Victoria at sword point, but Victor stops him and the two men duel. Emily intercedes to save Victor, and Lord Barkis mockingly proposes a toast to Emily claiming she's "always the bridesmaid, never the bride!", and accidentally drinking the cup of poison. The dead (now able to intercede as he's dead) drag the "new arrival" away for punishment.
      Emily sets Victor free of his vow to marry her, giving the wedding ring back to Victor and her wedding bouquet to Victoria before exiting the church. As she steps into the moonlight, she transforms into hundreds of butterflies, presumably finding peace, as Victor and Victoria look on.

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The Story of "Stingy Jack"

      Stingy Jack, perhaps also known as Jack the Smith, Drunk Jack, and Jack of the Lantern, is a mythical character apparently associated with All Hallows Eve. It is common lore that the "jack-o'-lantern" is derived from the character.
      As the story goes, several centuries ago amongst the myriad of towns and villages in Ireland, there lived a drunkard known as "Stingy Jack". Jack was known throughout the land as a deceiver, manipulator and otherwise dreg of society. On a fateful night, the devil overheard the tale of Jack's evil deeds and silver tongue. Unconvinced (and envious) of the rumors, the devil went to find out for himself whether or not Jack lived up to his vile reputation.
      Typical of Jack, he was drunk and wandering through the countryside at night when he came upon a body on his cobblestone path. The body with an eerie grimace on its face turned out to be the Devil. Jack realized somberly this was his end; the devil had finally come to collect his malevolent soul. Jack made a last request: he asked the devil to let him drink ale before he departed to hell. Finding no reason not to acquiesce the request, the devil took Jack to the local pub and supplied him with many alcoholic beverages. Upon quenching his thirst, Jack asked the devil to pay the tab on the ale, to the devil's surprise. Jack convinced the devil to metamorphose into a silver coin with which to pay the bartender (impressed upon by Jack's unyielding nefarious tactics). Shrewdly, Jack stuck the now transmogrified devil (coin) into his pocket, which also contained a crucifix. The crucifix's presence prevented the devil from escaping his form. This coerced the devil to agree to Jack's demand: in exchange for the devil's freedom, the devil had to spare Jack's soul for 10 years.
New York Tribune, 1915.
      Ten years later to the date when Jack originally struck his deal, he found himself once again in the devil's presence. Same as the setting before, Jack happened upon the devil and seemingly accepted it was his time to go to hell for good. As the devil prepared to take him to the underworld, Jack asked if he could have one apple to feed his starving belly. Foolishly the devil once again agreed to this request. As the devil climbed up the branches of a nearby apple tree, Jack surrounded its base with crucifixes. The devil, frustrated at the fact that he been entrapped again, demanded his release. As Jack did before, he made a demand: that his soul never be taken by the devil into hell. The devil agreed and was set free.
       Eventually the drinking and unstable lifestyle took its toll on Jack; he died the way he lived. As Jack's soul prepared to enter heaven through the gates of St. Peter he was stopped. Jack was told that because of his sinful lifestyle of deceitfulness and drinking, he was not allowed into heaven. The dreary Jack went before the Gates of Hell and begged for commission into underworld. The devil, fulfilling his obligation to Jack, could not take his soul. To warn others, he gave Jack an ember, marking him a denizen of the netherworld. From that day on until eternity's end, Jack is doomed to roam the world between the planes of good and evil, with only an ember inside a hollowed turnip ("turnip" actually referring to a large swede) to light his way.

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Arsenic and Old Lace

      "Arsenic and Old Lace" is a 1944 film directed by Frank Capra based on Joseph Kesselring's play of the same name. The script adaptation was by twins Julius J. Epstein and Philip G. Epstein. Capra actually filmed the movie in 1941, but it was not released until 1944, after the original stage version had finished its run on Broadway. The lead role of Mortimer Brewster was originally intended for Bob Hope, but he couldn't be released from his contract with Paramount.
      Capra had also approached Jack Benny and Ronald Reagan before going with Cary Grant. Boris Karloff played Jonathan Brewster, who "looks like Karloff", on the Broadway stage, but he was unable to do the movie as well because he was still appearing in the play during filming, and Raymond Massey took his place.
      In addition to Grant as Mortimer Brewster, the film also starred Josephine Hull and Jean Adair as the Brewster sisters, Abby and Martha, respectively. Hull and Adair as well as John Alexander (who played Teddy Roosevelt) were reprising their roles from the 1941 stage production. Hull and Adair both received an eight-week leave of absence from the stage production that was still running, but Karloff did not as he was an investor in the stage production and its main draw. The entire film was shot within those eight weeks. The film cost just over $1.2 million of a $2 million budget to produce.
Despite having written several books describing marriage as an "old-fashioned superstition", Mortimer Brewster (Cary Grant) falls in love with Elaine Harper (Priscilla Lane), who grew up next door to him in Brooklyn, and, on Halloween day, they marry. Immediately after the wedding, Mortimer visits the eccentric but lovable relatives who raised him and who still live in his old family home: his elderly aunts Abby (Josephine Hull) and Martha (Jean Adair), and his brother Teddy (John Alexander), who believes he is Theodore Roosevelt. Each time Teddy goes upstairs, he yells "Charge!" and takes the stairs at a run, imitating Roosevelt's famous charge up San Juan Hill.
Theatrical release poster
      Mortimer finds a corpse hidden in a window seat and assumes that Teddy has committed murder under some delusion, but his aunts explain that they are responsible ("It's one of our charities"). They explain in the most innocent terms that they have developed what Mortimer calls the "very bad habit" of ending the presumed suffering of lonely old bachelors by serving them elderberry wine spiked with arsenic, strychnine and "just a pinch of cyanide". The bodies are buried in the basement by Teddy, who believes he is digging locks for the Panama Canal and burying yellow fever victims.
      To complicate matters further, Mortimer's brother Jonathan (Raymond Massey) arrives with his alcoholic accomplice, plastic surgeon Dr. Herman Einstein (Peter Lorre). Jonathan is a murderer trying to escape the police and find a place to dispose of the corpse of his latest victim, a certain Mr. Spenalzo. Jonathan's face, as altered by Einstein while drunk, looks like Boris Karloff's in his makeup as Frankenstein's monster. This resemblance is frequently noted, much to Jonathan's annoyance. Jonathan, upon finding out his aunts' secret, decides to bury Spenalzo in the cellar (to which Abby and Martha object vehemently, because their victims were all nice gentlemen while Mr. Spenalzo is a stranger and a "foreigner") and soon declares his intention to kill Mortimer.
      While Elaine waits at her family home next door for Mortimer to take her on their honeymoon, Mortimer makes increasingly frantic attempts to stay on top of the situation, including multiple efforts to alert the bumbling local cops to the threat Jonathan poses, as well as to get the paperwork filed that will have Teddy declared legally insane and committed to a mental asylum (giving him a safe explanation for the bodies should the cops find them, and preventing his aunts from creating any more victims because they will no longer have any place to bury the bodies). He also worries that he will go insane like the rest of the Brewster family. As he puts it, "Insanity runs in my family, practically gallops!" While explaining this to Elaine, he claims they've been crazy since the first Brewsters came to America as pilgrims.
      But eventually Jonathan is arrested, while Teddy is safely consigned to an asylum and the two aunts insist upon joining him. Finally, Abby and Martha inform Mortimer that he is not biologically related to the Brewsters after all: his real mother was the aunts' cook and his father had been a chef on a steamship. In the film's closing scene, after lustily kissing Elaine and before whisking her away to their honeymoon, he gleefully exclaims "I'm not a Brewster, I'm a son of a sea cook!" This is a Hollywood Production Code bowdlerization of the line in the play: "I'm a b*****d!"


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