Showing posts with label All Hallows' Eve St. Louis Style. Show all posts
Showing posts with label All Hallows' Eve St. Louis Style. Show all posts

Monday, August 26, 2013

Craft an Animated Skeleton

      An animated skeleton – that glows brightly in the dark can be used for all kinds of harmless but amusing Halloween pranks. The skeleton is jointed so that a slight shake will cause the arms and legs to swing about in a realistic manner. The figure may be gripped at the neck from behind, or you can attach a screweye and suspend it at the end of a long pole that has been painted black. Black threads can be attached to the arms and legs, if desired, to operate them from a distance as you would marionette figures.
      A skeleton that is already printed on heavy paper, as well as small bottles of luminous paint, can be purchased inexpensively at most any novelty or 5 & 10c store. Disjoint the figure into nine pieces and attach them with glue to 1/4 plywood or composition board, then cut them out on the scroll or band saw. To rejoint the skeleton use tubular rivets with small washers, taking care that they fit loosely. At least two coats of luminous paint should be applied; three coats are not too many and will assure greater brightness. Blacken the edges of the figure with black stove polish or similar material and it is ready for use. It should be subjected to a bright light before exhibition and will glow for hours thereafter. The effect of this skeleton, shining out of the dark, is really startling and it should not be tried out on persons with weak hearts.

Craft More Skeletons for Halloween:

Sunday, August 25, 2013

Old-Fashioned Halloween Silhouettes

      Use these stencils to trace around with a white lead pencil onto black construction paper. Then hang them in your windows or cut them out for cards and stationary.


More Paper Cut Outs:

How To Make "Pumpkin Spice" or "Pumpkin Pie" Playdough


      
      This video from TheParentingChannel shows you how to make Pumpkin Pie Play Dough KEY INGREDIENT Pumpkin Spice This is great for Halloween Parties, Halloween Crafts, Fall Parties, Fall Crafts, Thanksgiving Parties, and Thanksgiving Crafts.

Monday, April 29, 2013

Bake a Fortune Cake

Halloween fondant cake tutorial.

      On your menu, don't neglect the Fortune Cake. It contains a ring, a thimble and a dime. Whoever gets the ring will be married soon; the thimble means celibacy; the dime, wealth.
      The fortune cake can be made in any way but the inclusion of the ring, thimble and dime is a very old tradition from the British Isles that dates back several centuries. You can bake these little trinkets into any cake recipe you wish; sometimes, you can find them in cake bakery shops as well.

More Halloween Cakes:

"The Ghost and Mr. Chicken"

      "The Ghost and Mr. Chicken" is a 1966 American comedy-drama film starring Don Knotts as Luther Heggs, a newspaper typesetter who spends a night in a haunted house, which is located in the fictitious community of Rachel, Kansas. The working title was Running Scared.
Theatrical Release Poster
      Luther Heggs is a typesetter at the newspaper in Rachel, Kansas, but aspires to be a reporter. One night, observing what he believes to be a murder outside of an old, supposedly haunted house, Heggs rushes to the police station with his scoop. Unfortunately, as he relates the details of his story to the Chief of Police, the murder "victim" walks into the room. The next morning, Heggs walks downstairs to the dining room at the Natalie Miller boarding house and overhears Ollie Weaver (Homeier), a full-time reporter at the newspaper, mocking his mistakes of the night before. According to a legend noted in the film, the Simmons mansion was a "murder house" 20 years earlier, when Mr. Simmons murdered his wife, then jumped from the organ loft to his death. Legend says that you can hear the ghost of Mr. Simmons playing the organ at night.
      To increase newspaper sales, Luther is assigned to spend the night in the house on the 20th anniversary of the murders. At midnight, Heggs sees the old organ begin to play by itself, as well as other ghostly happenings. His story gets the town abuzz and Nicholas Simmons (Philip Ober), nephew of the deceased couple, sues Heggs for libel.
      In the courtroom, Heggs is made out to be a fool, but the judge orders the courtroom to the Simmons house at midnight to allow Heggs to prove his story. Nothing happens, and everyone leaves except for Heggs. Soon after, when he notices the old organ playing again, Heggs discovers Mr. Kelsey, the newspaper's janitor, producing the creepy tune from an additional keyboard located under the pipes. The typesetter and janitor then confront Nicholas Simmons, who killed his aunt and uncle and has been trying to cover up the story all this time. A secret passage from the study up to the organ loft had been Simmons' alibi, and Mr. Kelsey was the last one who knew the secret. Luther knocks Simmons out with a body slam, and the case is closed. At the end of the film, Heggs marries his sweetheart, Alma Parker (Joan Staley) and the church organ begins to play the same spooky tune that came from the Simmons house, with the keys moving, but no one there.


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Around The Apple Tub

      No Halloween party is complete without the large tub filled with cold water, its surface crowded with the reddest of rosy checked apples. Some one should be selected as manager of the sports, as guests, in their excitement, need to be regulated and controlled, or they may tumble headlong into the tub!
      A line should be formed, and each should kneel in turn and bob or duck their heads down into the water, trying to secure an apple with the teeth. Frequently the persisting apple has to be pursued to the very bottom of the tub, but this makes the game all the more exciting, although the clothes are apt to get utterly soaked.
      To prevent this, the wise hostess will lay in a stock of water-proof bibs for the girls, while the men should remove collars, ties and coats.

Even horses love to bob for apples!

Over 100 Riddles for Trick-Or-Treaters

I've included here a variety of riddles that your little ones may wish to memorize before trick-or-treating. In St. Louis, trick-or-treaters must either ask a riddle, perform a magic trick or deliver some sort of stunt before expecting to be given candy. My children when they were young always memorized little jokes before trick-or-treating. They were so sweet, who could ever have resisted them?
  1. Why are weary people like carriage-wheels?—Answer: Because they are tired.
  2. An old woman in a red cloak was passing a field in which a goat was feeding. What strange transformation suddenly took place?—Answer: The goat turned to butter (butt her), and the woman into a scarlet runner.
  3. Why does a duck go into the water?—Answer: For divers reasons.
  4. Spell "blind pig" in two letters?—Answer: P G; a pig without an I.
  5. Which bird can lift the heaviest weights?—Answer: The crane.
  6. Why is a wise man like a pin?—Answer: He has a head and comes to a point.
  7. Why may carpenters reasonably believe there is no such thing as stone?—Answer: Because they never saw it.
  8. What is that which is put on the table and cut, but never eaten?—Answer: A pack of cards.
  9. Why does a sculptor die horribly?—Answer: Because he makes faces and busts.
  10. When does a farmer double up a sheep without hurting it?—Answer: When he folds it.
  11. What lives upon its own substance and dies when it has devoured itself?—Answer: A candle.
  12. Why is a dog biting his tail a good manager?—Answer: Because he makes both ends meet.
  13. What thing is it that is lower with a head than without one?—Answer: A pillow.
  14. Which is the left side of a plum-pudding?—Answer: That which is not eaten.
  15. What letter of the alphabet is necessary to make a shoe?—Answer: The last.
  16. Why is it certain that "Uncle Tom's Cabin" was not written by the hand of its reputed author?—Answer: Because it was written by Mrs. Beecher's toe (Stowe).
  17. If all the seas were dried up, what would everybody say?—Answer: We haven't a notion (an ocean).
  18. Why is a fishmonger never generous?—Answer: Because his business makes him sell fish (selfish).
  19. What is that which works when it plays and plays when it works?—Answer: A fountain.
  20. What is that from which you may take away the whole and yet there will be some remaining?—Answer: The word wholesome.
  21. Why are fowls the most economical things a farmer can keep?—Answer: Because for every grain they give a peck.
  22. What coin doubles its value by taking away a half of it?—Answer: Halfpenny.
  23. Why is it dangerous to walk in the meadows in springtime?—Answer: Because the trees are shooting and the bulrush is out (bull rushes out).
  24. Why is a vine like a soldier?—Answer: Because it is listed and has ten drills (ten-drils) and shoots.
  25. Why is an opera-singer like a confectioner?—Answer: Because she deals in ice- creams (high screams).
  26. If a man who is carrying a dozen glass lamps drops one, what does he become?—Answer: A lamp lighter.
  27. What belongs to yourself, but is used more by your friends than by yourself?—Answer: Your name.
  28. Why is a spider a good correspondent?—Answer: Because he drops a line at every post.
  29. When is the clock on the stairs dangerous?—Answer: When it runs down.
  30. Why is the letter "k" like a pig's tail?—Answer: Because it comes at the end of pork.
  31. What is the keynote to good manners?—Answer: B natural.
  32. Why is a five-pound bank-note much more profitable than five sovereigns?—Answer: Because when you put it in your pocket you double it, and when you take it out you will find it increases.
  33. Why is a watch like a river?—Answer: Because it doesn't run long without winding.
  34. What is that which flies high, flies low, has no feet, and yet wears shoes?—Answer: Dust.
  35. When has a man four hands?—Answer: When he doubles his fists.
  36. What trees has fire no effect upon?—Answer: Ashtrees; because when they are burned, they are ashes still.
  37. What is the difference between a schoolmaster and an engine-driver?—Answer:
    One minds the train and the other trains the mind.
  38. A man had twenty sick (six) sheep, and one died; how many were left?—Answer: 19.
  39. What is that which everybody has seen but will never see again?—Answer:
    Yesterday.
  40. Which is the best day for making a pancake?—Answer: Friday.
  41. Which is the smallest bridge in the world?—Answer: The bridge of your nose.
  42. What four letters would frighten a thief?—Answer: O I C U.
  43. What is that which goes from London to York without moving?—Answer: The road.
  44. Which is easier to spell—fiddle-de-dee or fiddle-de-dum?—Answer: Fiddle-de- dee, because it is spelt with more "e's."
  45. When may a chair be said to dislike you?—Answer: When it can't bear you.
  46. What animal took most luggage into the Ark, and which two took the least?—Answer: The elephant, who took his trunk, while the fox and the cock had only a brush and a comb between them.
  47. Which of the English kings has most reason to complain of his washer- woman?—Answer: King John, when he lost his baggage in the Wash.
  48. If a bear were to go into a linen-draper's shop, what would he want?—Answer:
    He would want muzzlin'.
  49. Why is B like a hot fire?—Answer: Because it makes oil Boil.
  50. If an egg were found on a music-stool, what poem would it remind you of?—Answer: "The Lay of the Last Minstrel."
  51. Why is a schoolmaster like a shoe-black?—Answer: Because he polishes the understanding of the people.
  52. Why was the first day of Adam's life the longest?—Answer: Because it had no
    Eve.

  53. Why is a washerwoman like a navigator?—Answer: Because she spreads her sheets, crosses the line, and goes from pole to pole.
  54. Why is an author the queerest animal in the world?—Answer: Because his tale comes out of his head.
  55. Why is it that a tailor won't attend to business?—Answer: Because he is always cutting out.
  56. When can a horse be sea-green in color?—Answer: When it's a bay.
  57. Why were gloves never meant to sell?—Answer: Because they were made to be kept on hand.
  58. When are we all artists?—Answer: When we draw a long face.
  59. Why are watch-dogs bigger by night than by day?—Answer: Because they are let out at night and taken in in the morning.
  60. When is a tradesman always above his business?—Answer: When he lives over his shop.
  61. Which is the liveliest city in the world?—Answer: Berlin; because it's always on the Spree.
  62. Why is a water-lily like a whale?—Answer: Because they both come to the surface to blow.
  63. Why is a shoemaker the most industrious of men?—Answer: Because he works to the last.
  64. What is book-keeping?—Answer: Forgetting to return borrowed volumes.
  65. Why is scooping out a turnip a noisy process?—Answer: Because it makes it hollow.
  66. Why are teeth like verbs?—Answer: Because they are regular, irregular, and defective.
  67. What ships hardly ever sail out of sight?—Answer: Hardships.
  68. When is an artist a dangerous person?—Answer: When his designs are bad.
  69. Why are tortoiseshell-combs like citadels?—Answer: They are for-tresses.
  70. Why is the Isthmus of Suez like the first "u" in cucumber?—Answer: Because it is between two "c's" (seas).
  71. What motive led to the invention of railroads?—Answer: The locomotive.
  72. When is the best time to get a fresh egg at sea?—Answer: When the ship lays to.
  73. Who was the first whistler?—Answer: The wind. and What tune did he whistle?—Answer: Over the hills and far away.
  74. Why need a traveler never starve in the desert?—Answer: Because of the sand which is (sandwiches) there.
  75. Why is sympathy like blindman's buff?—Answer: Because it is a fellow feeling for a fellow creature.
  76. If a Frenchman were to fall into a tub of tallow, in what word would he express his situation?—Answer: In-de-fat-i-gabble. (Indefatigable.)
  77. Why is a diner on board a steam-boat like Easter Day?—Answer: Because it is a movable feast.
  78. Why is a little man like a good book?—Answer: Because he is often looked over.
  79. Why is a pig in a parlor like a house on fire?—Answer: Because the sooner it is put out the better.
  80. What is the difference between a soldier and a bombshell?—Answer: One goes to war, the other goes to pieces.
  81. Why is it dangerous to sleep in a train?—Answer: Because every train runs over all the sleepers on the line.
  82. Spell "enemy" in three letters?— Answer: F O E.
  83. Which is the only way that a leopard can change his spots?—Answer: By going from one spot to another.
  84. Why did Eve never fear the measles?—Answer: Because she'd Adam.
  85. When is a tall man a little short?—Answer: When he hasn't got quite enough cash.
  86. What houses are the easiest to break into?—Answer: The houses of bald people; because their locks are few.
  87. Why is a watch the most difficult thing to steal?—Answer: Because it must be taken off its guard.
  88. Why is there never anybody at home in a convent?—Answer: Because it is an (n)uninhabited place.
  89. Why does a person who is not good-looking make a better carpenter than one who is?—Answer: Because he is a deal plainer.
  90. What plant stands for No. 4?—Answer: IV.
  91. What is the best tree for preserving order?—Answer: The birch.
  92. Why is shoemaking the easiest of trades?—Answer: Because the boots are always soled before they are made.
  93. How can a gardener become thrifty?—Answer: By making the most of his thyme, and by always putting some celery in the bank.
  94. Why is it probable that beer was made in the Ark?—Answer: Because the kangaroo went in with hops, and the bear was always bruin.
  95. "What was the biggest thing you saw at the World's Fair?" asked a wife of her husband.—Answer: "My hotel bill!" said he.
  96. Why is C like a schoolmistress?—Answer: Because it forms lasses into classes.
  97. What is that which never asks any questions and yet requires many answers?—Answer: The street-door.
  98. If a man bumped his head against the top of a room, what article of stationery would he be supplied with?—Answer: Ceiling whacks. (Sealing-wax.)
  99. Which is the longest word in the English language?—Answer: Smiles; because there is a mile between the first and last letters.
  100. Which is the oldest tree in England?—Answer: The Elder Tree.
  101. What is that which happens twice in a moment and not once in a thousand years?—Answer: The letter M.

"The Raven," by Edgar Allen Poe

Once upon a midnight dreary, while I pondered, weak and weary, 
Over many a quaint and curious volume of forgotten lore, 
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door. 
"'T is some visiter," I muttered, "tapping at my chamber door— 
Only this, and nothing more."
 
Ah, distinctly I remember it was in the bleak December,
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow:—vainly I had sought to borrow
From my books surcease of sorrow—sorrow for the lost Lenore—
For the rare and radiant maiden whom the angels name Lenore—
Nameless here for evermore.
 
And the silken sad uncertain rustling of each purple curtain
Thrilled me—filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating
"'T is some visiter entreating entrance at my chamber door
Some late visiter entreating entrance at my chamber door;—  
This it is, and nothing more."
 
Presently my soul grew stronger; hesitating then no longer,
"Sir," said I, "or Madam, truly your forgiveness I implore;
But the fact is I was napping, and so gently you came rapping,
And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you"—here I opened wide the door;—
Darkness there, and nothing more.
 
Deep into that darkness peering, long I stood there wondering, fearing,
Doubting, dreaming dreams no mortal ever dared to dream before;
But the silence was unbroken, and the darkness gave no token,
And the only word there spoken was the whispered word, "Lenore!"
This I whispered, and an echo murmured back the word, "Lenore!"
Merely this and nothing more.
 
Back into the chamber turning, all my soul within me burning,
Soon again I heard a tapping, somewhat louder than before.
"Surely," said I, "surely that is something at my window lattice;
Let me see, then, what thereat is, and this mystery explore—
Let my heart be still a moment and this mystery explore;—  
'T is the wind and nothing more!"
 
Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately Raven of the saintly days of yore.
Not the least obeisance made he; not a minute stopped or stayed he;
But, with mien of lord or lady, perched above my chamber door—
Perched upon a bust of Pallas just above my chamber door—
Perched, and sat, and nothing more.
 
Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore,  
"Though thy crest be shorn and shaven, thou," I said, "art sure no craven,  
Ghastly grim and ancient Raven wandering from the Nightly shore,—
Tell me what thy lordly name is on the Night's Plutonian shore!"
Quoth the Raven, "Nevermore."
 
Much I marvelled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning—little relevancy bore;  
For we cannot help agreeing that no living human being
Ever yet was blessed with seeing bird above his chamber door—  
Bird or beast upon the sculptured bust above his chamber door,  
With such name as "Nevermore."
 
But the Raven, sitting lonely on the placid bust, spoke only
That one word, as if his soul in that one word he did outpour.  
Nothing further then he uttered—not a feather then he fluttered—
Till I scarcely more than muttered, "Other friends have flown before—
On the morrow he will leave me, as my hopes have flown before."  
Then the bird said, "Nevermore."
 
Startled at the stillness broken by reply so aptly spoken,
"Doubtless," said I, "what it utters is its only stock and store,
Caught from some unhappy master whom unmerciful 
Disaster Followed fast and followed faster till his songs one burden bore—  
Till the dirges of his Hope that melancholy burden bore  
Of 'Never—nevermore.'"
 
But the Raven still beguiling all my sad soul into smiling,
Straight I wheeled a cushioned seat in front of bird and bust and door;
Then, upon the velvet sinking, I betook myself to linking
Fancy unto fancy, thinking what this ominous bird of yore—
What this grim, ungainly, ghastly, gaunt and ominous bird of yore  
Meant in croaking "Nevermore."
 
This I sat engaged in guessing, but no syllable expressing
To the fowl whose fiery eyes now burned into my bosom's core;  
This and more I sat divining, with my head at ease reclining
On the cushion's velvet lining that the lamplight gloated o'er,
But whose velvet violet lining with the lamplight gloating o'er  
She shall press, ah, nevermore!
 
Then, methought, the air grew denser, perfumed from an unseen censer
Swung by seraphim whose foot-falls tinkled on the tufted floor.
"Wretch," I cried, "thy God hath lent thee—by these angels he hath sent thee  
Respite—respite and nepenthe from thy memories of Lenore!  
Quaff, oh quaff this kind nepenthe, and forget this lost Lenore!"
Quoth the Raven, "Nevermore."
 
"Prophet!" said I, "thing of evil!—prophet still, if bird or devil!—
Whether Tempter sent, or whether tempest tossed thee here ashore,  
Desolate yet all undaunted, on this desert land enchanted—
On this home by Horror haunted—tell me truly, I implore—
Is there—is there balm in Gilead?—tell me—tell me, I implore!"
Quoth the Raven, "Nevermore."
 
"Prophet!" said I, "thing of evil—prophet still, if bird or devil!  
By that Heaven that bends above, us—by that God we both adore—
Tell this soul with sorrow laden if, within the distant Aidenn,
It shall clasp a sainted maiden whom the angels name Lenore—
Clasp a rare and radiant maiden whom the angels name Lenore."  
Quoth the Raven, "Nevermore."
 
"Be that word our sign of parting, bird or fiend!" I shrieked, upstarting—  
"Get thee back into the tempest and the Night's Plutonian shore!
Leave no black plume as a token of that lie thy soul hath spoken!
Leave my loneliness unbroken!—quit the bust above my door!  
Take thy beak from out my heart, and take thy form from off my door!"  
Quoth the Raven, "Nevermore."
 
And the Raven, never flitting, still is sitting, still is sitting
On the pallid bust of Pallas just above my chamber door;  
And his eyes have all the seeming of a demon's that is dreaming,  
And the lamplight o'er him streaming throws his shadow on the floor;  
And my soul from out that shadow that lies floating on the floor  
Shall be lifted—nevermore!

for further study 

How to make caramel apples, yum!



      Caramel apples or taffy apples (not to be confused with candy apples) are created by dipping or rolling apples-on-a-stick in hot caramel, sometimes then rolling them in nuts or other small savories or confections, and allowing them to cool. Generally, they are called caramel apples when only caramel is applied and taffy apples for when there are further ingredients such as peanuts applied.
       For high-volume production of caramel apples, a sheet of caramel can be wrapped around the apple, followed by heating of the apple to melt the caramel evenly onto it. This creates a harder caramel that is easier to transport but more difficult to eat. Caramel apple production at home usually involves melting pre-purchased caramel candies for dipping, or making a homemade caramel from ingredients like brown sugar, butter, and vanilla. Homemade caramel generally results in a softer, creamier coating.
      In recent years, it has become increasingly popular to decorate caramel apples for holidays like Halloween. Methods used to do this include applying sugar or salt to softened caramel, dipping cooled, hardened apples in white or milk chocolate, or painting designs onto finished caramel apples with white chocolate colored with food coloring.
      Classically, the preferred apples for use in caramel apples are tart, crisp apples such as Granny Smith or Fuji apples. Softer, grainy-textured apples can also be used, but are not preferred.

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Knock, Knock Links


      This little guy is sooooo cute! He reminds me of Fozzie Bear. I just love it when children find uninteresting things funny; what must be going through their little tangled brains? When my kids were young, they used to lay in their beds at night and giggle riotously at nothing.
      I'll post links here to Knock, Knock Jokes for those little tikes who would prefer to recite them in exchange for Halloween treats whilst they venture forth on a spooky fall evening.
The History of Knock Knock Jokes.
      The exact date of the joke formula attaining popularity is unknown, but was likely 1936. Fred Allen's December 30, 1936 radio broadcast included a humorous wrapup of the year's least important events, including a supposed interview with the man who "invented a negative craze" on April 1st: "Ramrod Dank... the first man to coin a Knock Knock."
      "Knock knock" was the catchphrase of music hall performer Wee Georgie Wood, who was recorded in 1936 saying it in a radio play, but he simply used the words as a reference to his surname and did not use it as part of the well-known joke formula. The format was well known in the UK and US in the 1950s and early 1960s before falling out of favor. It then enjoyed a renaissance after the jokes became a regular part of the badinage on Rowan & Martin's Laugh-In.
      In 2010, a letter from a steward (thought to be Jim Richardson) on the Nahlin steam yacht was discovered. The 16-page letter to his mother detailed life on the yacht during a 1936 Mediterranean cruise on which King Edward VIII and Wallis Simpson were passengers. The steward repeated a popular joke of the time: "Knock knock. Who's there? Edward Rex. Edward Rex who? Edward wrecks the Coronation."
In France, the punchline is sometimes a pun on the title of a popular song, allowing the last answer to be sung :
Toc Toc! (Knock knock!)
Qui est là? (Who's there?)
Sheila.
Sheila qui? (Sheila who?)
Sheila lutte finale... . (a pun on "c'est la lutte finale" (It's the final struggle), the first line of the chorus of The Internationale)
      In Shakespeare's play Macbeth a comic relief character delivers a twenty-line monologue and satire that makes reference to events of that time. It follows the pattern of "knock knock who's there?" but it is done entirely by the character and knocks from off stage. The character is a hung over porter (in most performances drunk, but in the original he was hung over) who pretends he is the porter to the gates of hell welcoming sinners of different professions:
(Macbeth ActII, sciii)
Knock, knock, knock! Who's there, i' th' name of Beelzebub? Here's a farmer that hanged himself on the expectation of plenty. Come in time, have napkins enough about you, here you'll sweat for 't.
(this is a joke referring to a price drop in crops, as well as a joke about the heat in hell)
Knock, knock! Who's there, in th' other devil's name? Faith, here's an equivocator that could swear in both the scales against either scale, who committed treason enough for God's sake, yet could not equivocate to heaven. O, come in, equivocator.
(this passage is believed to be a reference to a trial of the Jesuits who were charged with equivocation speaking unclearly or speaking with double meaning)
Knock, knock, knock! Who's there? Faith, here's an English tailor come hither for stealing out of a French hose. Come in, tailor. Here you may roast your goose.
(the tailor is accused of stealing cloth while making breeches, this is a joke about a fashion trend in Shakespearian times, also a pun for roasting the tailor's iron with the heat of hell)