Thrifty Scissors: The Children's Paper Circus

Showing posts with label The Children's Paper Circus. Show all posts

Monday, June 19, 2023

Circus

Circus
Eleanor Farjeon

The brass band blares,
The naphtha flares,
The sawdust smells,
Showmen ring bells,
And oh! right into the circus-ring
Comes such a lovely, lovely thing,
A milk-white pony with flying tress,
And a beautiful lady,
A beautiful lady,
A beautiful lady in a pink dress!
The red-and-white clown
For joy tumbles down.
Like a pink rose
Round she goes
On her tiptoes
With the pony under-
And then, oh, wonder!
The pony his milk-white tresses droops,
And the beautiful lady,
The beautiful lady,
Flies like a bird through the paper hoops!
The red-and-white clown for joy falls dead,
Then he waggles his feet and stands on his
head,
And the little boys on the twopenny seats
Scream with laughter and suck their sweets.

Thursday, July 23, 2020

Circus Elephants Paper Cuts

The circus clown and tight rope walker balance on an elephant with monkey.

Vintage paper cuts of an era ended, these circus elephants are now only found in books. I've restored these for your scrapbooks only. Enjoy.

Circus elephants walk behind each other into the arena.

Thursday, October 10, 2013

The Circus Day Parade

Oh the circus-day parade! How the bugles played and played!

And how the glossy horses tossed their flossy manes and neighed,

As the rattle and the rhyme of the tenor-drummer's time

Filled the hungry hearts of all of us with melody sublime!

How the grand band-wagon shone with a splendor all its own,

And glittered with a glory that our dreams had never known!

And how the boys behind, high and low of every kind,

Marched in unconscious capture, with a rapture undefined!

How the horesmen, two and two, with their plumes of white and blue,

And of crimson, gold and purple, nodding by at me and you,

Waved the banners that they bore, as the knights in days of yore,

Till our glad eyes gleamed and glistened like the spangles that they wore!

Sunday, August 18, 2013

Bake a Pink Elephant Circus Cake

Ella Elephant's easy to make (Of course, you must use Angel Flake.) Her trunk is long for peanut scooping, Her ears are big and always drooping! The pink elephant circus cake design was published by General Foods Corporation in 1959.

Start with two cooled 9-inch round cakes made from the recipe below. Cut a ring 11/2 inches wide from one layer. Cut out a third of the ring for her trunk.
Divide remaining piece of ring into four equal parts. Place uncut layer on a tray for the body. Use small circle for Ella's head. Add legs and a happy trunk.
Spread a fluffy pink frosting over cake and sprinkle Baker's Angle Flake coconut generously over the elephant. Use a big chocolate cookie for her ear . . . a gumdrop for the eye and a twist of licorice for the tail.

Ingredients:
2.5 cups cake flour
2 tsps baking powder
1⁄4 tsp salt
1⁄2 cup plus
2 tbsp butter
1 1/3 cups Redpath Granulated Sugar
3 tbsps frozen Pink Lemonade
1 tbsp lemon zest
1 tsp vanilla extract
4 large eggs
1 cup milk

Directions: Preheat oven to 350F. Grease 2 8" round pans and line bottoms with parchment paper. Sift flour, baking powder and salt in a medium bowl. Beat butter in mixer until fluffy. Gradually add sugar, scraping as needed. Add concentrate, zest and vanilla. Add eggs one at a time. Beat until smooth. On low alternate adding dry ingredients and milk (start and finish with dry ingredients). Bake cakes about 25mins, until toothpick comes out clean. Cool.

Pink Lemonade Frosting
500g Redpath Icing Sugar
2 cups shortening (can mix 1⁄2 butter, 1⁄2 shortening if you like)
1⁄4 cup Pink Lemonade Concentrate
1 tsp vanilla
1 tsp meringue powder

Directions: Water as needed. Whip shortening (and butter, if using). Slowly begin adding icing sugar. Alternate between icing sugar and concentrate to keep frosting light and fluffy. Add vanilla. Add water if needed for spreading consistency.

More Ideas for Circus Party Fun:

Monday, April 29, 2013

Paper Circus Performers For Little Ones

Color the following circus performers for big top fun!

Color and cut-out this paper lion tamer.

Color and cut-out this paper clown and elephant.

Color and cut-out this performing horseback rider.

More Circus Paper Projects:

Wednesday, April 24, 2013

Draw a Circus Strongman

A vintage circus print of a circus strongman.

The circus strongman is one of many acts found in a modern circus. The strongman demonstrates great strength, power and agility to the audience. The strongman and strongwomen were very popular attractions in the circus in the 19th century. Early strongmen would usually exhibit their awesome strength by lifting or moving objects which the audience would believe impossible to move. They would lift anvils, have anvils placed on their chest, bend metal bars and some were even reported to hold cannons on their shoulders while an assistant lit and fired the cannon. What do you suppose your circus strongman or strongwoman could lift? Perhaps an elephant or two maybe?

Click to see what these strongmen are lifting:

Vintage Circus Strong Man

Circus Related Lesson Plans:

Draw your very own flea circus!

First, either draw a circus tent boarder for your bugs to perform inside or print out our blog's free version below.

Here is a circus tent border for you to use.

Second, select the bugs you like best. Give them names and jobs in your doodle circus, then design the astounding acts your bugs will perform. I've linked to some creative cartoonists on the web who doodle bugs:

Below is a film of a real flee circus! Before television people would do almost anything for entertainment. Your circus is an imaginary one, however, so no bug will be harmed in order to maintain the performances!

The first records of flea performances were from watch makers who were demonstrating their metal working skills. Mark Scaliot in 1578 produced a lock and chain which were attached to a flea. Flea performances were first advertised as early as 1833 in England, and were a main carnival attraction until 1930. Some flea circuses persisted in very small venues in the United States as late as the 1960s. The flea circus at Belle Vue amusement park, Manchester, England, was still operating in 1970. At least one genuine flea circus still performs (at the annual Oktoberfest in Munich, Germany) but most flea circuses are a sideline of magicians and clowns, they use electrical or mechanical effects instead of real fleas.

Fleas typically live only for a few months and are not trained. They are also observed to see if they have a predisposition for jumping or walking. Once sorted, they are harnessed by carefully wrapping a thin gold wire around the neck of the flea. Once in the harness the fleas usually stay in it for life. The harnesses are attached to the props and the strong legs of the flea allows them to move objects significantly larger than themselves.Jumping fleas are used for kicking small lightweight balls. They are carefully given a ball; when they try to jump away (which is not possible because of the harness) they shoot the ball instead. Running fleas are used to pull small carts and vehicles or to rotate a Ferris wheel. There are historical reports of fleas glued to the base of the flea circus enclosure, instruments were then glued to the flea performers and the enclosure was heated. The fleas fought to escape giving the impression of fleas playing musical instruments.

Some flea circuses may appear to use real fleas, but don't. A variety of electrical, magnetic, and mechanical devices have been used to augment exhibits. In some cases these mechanisms are responsible for all of the "acts," with loose fleas in the exhibit maintaining the illusion.Other "flea circuses" do not contain any fleas at all and the experience and skill of the performer convince the audience of their existence. In much the same way that viewers know that a woman won't really be cut in half, the magician's showmanship allows viewers to suspend disbelief in order to enjoy the show.

* * * * * *

No "big top" for the Flea Circus! This is the way spectators watch the star actors of Prof. William Heckler's Trained Flea Circus in 1930.

Star Actors of the Flea Circus

by ALFRED ALBELLI

      Professor William Heckler’s Trained Flea Circus at Hubert’s Museum on West 42nd St., New York City, proves a great spectacle for the skeptical to marvel at, and at the same time the professor shows that he has bridged one of the gaps between science and practical mechanics.
       Recently, in the throes of irresistible curiosity, I stood before the emblazoned billboards of Hubert’s Museum, which proclaimed the astounding feats of the flea, better known for its annoying qualities.

Flea pulls a merry-go-round.

      A ballyhoo gentleman roared through a megaphone that there was a flea hotel inside. That fleas would engage in a chariot race. That they could be seen playing football. Prince Henry, a blueblood among fleas, would juggle a ball. Flea Rudolph woujd operate a merry-go-round. Paddy, carrying a flag, would jump through a hoop.
      The program ended with the Dance of the Fleas, in costume. Greatest show on earth! Well, from one observer’s point of view Prof, Heckler can do anything with a flea he trains, and the chances are he could even send one down to the corner for a newspaper, if he had a mind to. At any rate, he has done almost as much.
      For over eighteen years Prof. Heckler has been making capital of the recent discoveries made by J. J. Ward, the famous English entomologist. The British scholar announced the other day that the earwig, a Samson among insects, is able to pull a toy railway car 530 times its own weight or to drag a load of pins twenty-seven times its weight.
      Scientists went further. They made computations and adduced that the average man, proportionately as strong as the earwig, would be able to haul two freight cars along the street, these weighing nearly twenty tons apiece.
      Prof. Heckler has studied all of the flea’s habits until he has been able to recruit a troupe for a circus, as it is called. This creation of his goes back to the days when he ran away from home, from his native Switzerland, to follow the adventures of the sea.
      “My first meeting with the fleas,” he related to me, “was while I was traveling on the Mediterranean. Many of the boats on which I shipped were infested with these tiny demons. To the amusement of the crew, I captured some of these fleas and had them doing stunts for them. As I had much leisure time in those days, I thought up various freak performances for the fleas. In time I gave up the life of the sailor for the flea as a career and opened my first Flea Circus at the St. Louis World’s Fair. Since then my company of trained flea artists has toured the globe, playing fairs and expositions everywhere.”
      He explained that of the 134 or more species, only the human flea, the so-called pulex irritans, getting its sustenance from human blood, is intellieent enough to be trained. He takes the insect at a very tender age and it is put through a rigid training for its life work.

Captive flea being trained.

      The performing flea is found in Europe. But those which have been imported by Prof. Heckler and bred become easily acclimated. They make their home in chambers inlaid in mother-of-pearl, with white downy cot-ton as their sleeping quarters. Everything quite cozy!
      Training fleas is very difficult and Prof. Heckler guards his secret conscientiously. For the first lesson the neophyte flea is put into a bottle which is almost airtight. This is quite possible as he requires little oxygen.
      In this small vessel, the flea, true to his nature, gets rambunctious and hits off to a jumping spree. And every time he jumps he bumps his head. Soon he learns that by ceasing to jump he avoids the bumps, and thereby he passes his first test.
      Next in his training course the flea is attached to an instrument which looks very much like a gibbet. Here he can hop or do any form of motion, but he is under restraint, of course. The shackles keep him in tow. It is in this section that the professor selects the dancers from the strong men, and classifies them. In turn they are garbed in miniature costumes, befitting their particular bit.