Friday, August 16, 2013

Pinchers Not Grippers!

      Did you know that the way your preschooler holds his or her crayons will affect their handwriting development in the future? Some students experience difficulty in manipulating a pencil when they begin to write in kindergarten. They "grip" their pencils as though they are holding a baseball bat. Ouch, that can cause writer's cramp for certain!
      Parents can help their children by training them early without even seeming to pay attention to the problem. That's right! It is an easy fix, but you must be willing to fight the schoolroom taboo. You must break their crayons. Yes, I understand that this is considered transgression across all kiddom but one must make sacrifices for the good of many or maybe just a few, for a limited time only. When little people are forced to hold tiny crayons, they will pinch not grip. This is an automatic result and also an easy way to break bad little habits.

Thursday, August 15, 2013

Developing A Seating Chart for A Rug

A giant oval carpet at the center of a spacious preschool depicts a pond full of lily pads, letters, numbers and one frog.
This seating chart is made from simple pocket
envelopes. Frogs are labeled with corrisponding
letters and numbers found on the rug above.
      The first day of preschool and children are given assigned seating on the rug! No, the seating is not permanent; it changes every day. As the young students arrive, their homeroom teacher, Jenn, gives them a choice between a letter or a number. She then proceeds to hand them a frog pop-cycle stick with the same number or letter to match their selection. Then each student puts their frog inside a  pocket labeled with their name. Not only does this little routine help young students to focus on a place to sit whenever they are called to the rug, it also begins to teach them letter and number identification. This year our classroom is full of three, four and five year olds. Some of them have yet to learn all of their alphabet or to how to count to ten. But they are well on their way with the staff at our small private school!

Creative Circle Time Seating:
More Related Content:

Tuesday, August 13, 2013

Paper Lesson Plans Links k-12

Paper Weaving Lesson Plans and Ideas: Recycled Paper Weaving in Grade Two * Paper Coil Baskets * Weave Paper Hot Air Balloons for a Mobile *****
Art History and Cultural Connections: ***
Just Pictures: *

Paper Cutting Lesson Plans: Freedom Within A Square * Positive and Negative Bunnies * Cut Paper Portrait *********
Art History and Cultural Connections: ***
Just Pictures: *

Paper Torn Lesson Plans: Torn Paper Owl: Who's Hooting? * How to Create Torn Paper Impressionist Art *********
Art History and Cultural Connections: ***
Just Pictures: alot of torn paper * Torn Paper Portraits * Torn Paper Collage Workshop ************

Paper Folding Lesson Plans: Fan Folded Palm Branches * Paper Quilling for Young Students ********
Art History and Cultural Connections: Qin Lin: Chinese Paper Crafts * Bor Sang Village in Chiang Mai * Brief History of Quilling as Art Also Called Paper Filigree *
Just Pictures: Paper Quilling - Lily Pond * North American Quilling Guild***

Paper and Cardboard Printing Lesson Plans: Cardboard Printing * Printing - Patterns on Paper Weaving ********
Art History and Cultural Connections: ***
Just Pictures: *

Paper Tissue Lesson Plans: Painting With Tissue Paper * Dunking Ducks * Collage Pop-Out Fish *****
Art History and Cultural Connections: ***
Just Pictures: The Grouchy Ladybug * Georgia O'Keeffe Inspired Tissue Paper Collages * Tissue Paper Masks ****

Paper Mosaic and Collage Lesson Plans: Aztec Inspired Mask Lesson Plan * A Recycled Landscape "Don't Pave Paradise!" * Portrait of A Survivor Newspaper Collage * Surreal Dreamscapes ****
Art History and Cultural Connections: ***
Just Pictures: *

Paper Recycling Lesson Plans: Recycled Paper Tube Collage *******
Art History and Cultural Connections: ***
Just Pictures: cardboard cupcakes * egg carton flowers ******

Paper Molding Lesson Plans: Mini Macchias * How to create backgrounds & embellishments using paper clay and rubber stamps * Creative Paperclay and Articus Studio Molds *****
Art History and Cultural Connections: ***
Just Pictures: *

Paper: 3D Pictures Lesson Plans: Creating Depth in a 3-D Landscape *******
Art History and Cultural Connections: ***
Just Pictures: Helen Musselwhite's fabulous Art (article) * Introduction to Paper Sculpture (courses) * Mixed Media Art ********

Paper Sculpting Lesson Plans: Effigy Pots Lesson Plan * Pop Art Sculpture * African Masks from Recycled Materials: Cardboard Constructionbig letter DIY * Friday the 13th and Paper Mache Pumpkins * Papier Mache Pizzas * Making a "Galimoto"*****

Art History and Cultural Connections: Master of paper crafts ***

Just Pictures: Wild Puppet Heads * Creatures from an enchanted forest * Liat Binyamini Ariel Studio * Maria Tenorio's Phtostream * Grade Three Bird Sculptures * turtles * Sculpted Taxidermy * Dragon * Our sculptural vases took several weeks to design and build but well worth the effort! * old doll new doll * elephant * Papier-Mache: Animal Heads * Cups of Modern Art ****

The Art of Paper Craft

      Paper craft is the collection of art forms employing paper or card as the primary artistic medium for the creation of three-dimensional objects. It is the most widely used material in arts and crafts. It lends itself to a wide range of techniques, as it can for instance be folded, cut, glued, molded, stitched, or layered. Paper making by hand is also an important paper craft. Painting and calligraphy though they are commonly applied as decoration are normally considered as separate arts or crafts.
      Paper crafts are known in most societies that use paper, with certain kinds of crafts being particularly associated with specific countries or cultures. In much of the West, the term origami is used synonymously with paper folding, though the term properly only refers to the art of paper folding in Japan. Other forms of paper folding include Zhezhi (Chinese paper folding), Jong-ie-jeop-gi, from Korea, and Western paper folding, such as the traditional paper boats and paper planes.
      In addition to the aesthetic value of paper crafts, various forms of paper crafts are used in the education of children. Paper is a relatively inexpensive medium, readily available, and easier to work with than the more complicated media typically used in the creation of three-dimensional artwork, such as ceramics, wood, and metals. It is also neater to work with than paints, dyes, and other coloring materials. Paper crafts may also be used in therapeutic settings, providing children with a safe and uncomplicated creative outlet to express feelings.
      The word "paper" derives from papyrus, the name of the ancient material manufactured from beaten reeds in Egypt as far back as the third millennium B.C. Indeed, the earliest known example of "paper folding" is an ancient Egyptian map, drawn on papyrus and folded into rectangular forms like a modern road map. However, it does not appear that intricate paper folding as an art form became possible until the introduction of wood-pulp based papers in China, where its invention is credited to Cai Lun in the Eastern Han Dynasty, in the 2nd century B.C. It is not known when the earliest use of folded paper as a medium was made, although it likely began shortly after the development of paper itself. The first Japanese origami is dated from the 6th century A.D.
Science Fiction/Aircraft: Mike Hungerford * Delta 7 Studios * SF Paper Craft * Card Models * Paper Aviation * Albion Rising * Lower Hudson Vally Paper Model E * Yamaha *Card Modeling FAQ * paper trade **
The Finer Art of Cutting Paper: Swoon Exhibition at Black Rat Projects * The First Cut * Fly Like Paper * Geraldine Gonzalez, creatrice * Paper Wars by PostlerFerguson * Typographic Paper Sculpture: Still Life Comes Alive *********


''In India, the Paper-pulp art is a form of traditional & folk art. In rural area many women makes paper-pulp articles at their home, which is used in daily life. In this video you can see the process of paper-pulp art making is more professional than traditional ways.In India, the Paper-pulp art is a form of traditional & folk art. In rural area many women makes paper-pulp articles at their home, which is used in daily life. In this video you can see the process of paper-pulp art making is more professional than traditional ways.''

Paper Folding Craft Links

      Paper models, also called card models or papercraft are models constructed mainly from sheet of heavy paper, paperboard, or card stock. This may be considered a broad category that contains origami and card modeling. Origami is the process of making a paper model by folding paper without using glue. Card modeling is making scale models from sheets of cardstock on which the parts were printed, usually in full color. These pieces would be cut out, folded, scored and glued together. They are generally more popular in Europe and Japan than in the United States. Sometimes the model pieces can be punched out. More frequently the printed parts must be cut out. Edges may be scored to aid folding. The parts are usually glued together with polyvinyl acetate glue ("white glue" "PVA"). In this kind of modeling the sections are usually pre-painted, so there is no need to paint the model after completion. Some enthusiasts may enhance the model by painting and detailing. Due to the nature of the paper medium, the model may be sealed with varnish to last longer.
      Printed card models became common in magazines in the early part of the 20th century. The popularity of card modeling boomed during World War II, when paper was one of the few items whose use and production was not heavily regulated.
      Micromodels, designed and published in England from 1941 were very popular with 100 different models, including architecture, ships, and aircraft. But as plastic model kits became more commonly available, interest in paper decreased.
      Since papercraft patterns can be easily printed and assembled, the Internet has become a popular means of exchanging them. Commercial corporations have recently begun using downloadable papercraft for their marketing (examples are Yamaha and Canon).
      The availability of numerous models on the Internet at little or no cost, which can then be downloaded and printed on inexpensive inkjet printers has caused its popularity again to increase worldwide. Home printing also allows models to be scaled up or down easily (for example, in order to make two models from different authors, in different scales, match each other in size), although the paper weight might need to be adjusted in the same ratio.
      Inexpensive kits are available from dedicated publishers (mostly based in Eastern Europe; examples include Halinski and Maly Modelarz, a portion of the catalog of which date back to 1950. Experienced hobbyists often scratchbuild models, either by first hand drawing or using software such as Adobe Illustrator. CAD and CG software, such as Rhino 3D, 3DS Max, Blender, and specialist software, like Pepakura Designer from Tama Software and Waybe or Dunreeb Cutout or Ultimate Papercraft 3D, may be employed to convert 3D computer models into two-dimensional printable templates for assembly. Because of this, there is a vast number of models available. Ships, automobiles, aircraft, spacecraft, buildings, and animals are all common. In recent years, Japanese subjects, such as Gundams and anime figures, have become common subjects in papercraft.

"Robert Lang describes his Origami designs. He shows slides depicting his work and he illustrates the principles behind problem solving."

The Lost Art of Silhouetting

      In the modern age, when photographic art has achieved so high a degree of perfection, most people do not stop to think that less than a century ago there did not exist any photographer at all. When our ancestors wanted to have a portrait made they had a limited choice of methods. They could have it painted, very circumstantially, in colors, for one thing; or they could content themselves with a silhouette, cut out of black paper. Of course, the latter method was the cheaper, and subsequently it became highly popular, until photography was invented.
The way in which the German Scientist, Lavater
took a silhouette.
      The word silhouette, which has been merged with most languages, was at first meant as an expression of contempt for the French Chancellor of the Exchequer, Etienne de Silhouette, who instead of adjusting the money affairs of his country, spent his time in decorating the walls of his castle with shadow portraits of his guests. The French people said that "his pictures were just as black and empty as the French Treasury." Since that time black portraits of this kind have been called "silhouettes."
      Years before the German scientist Lavater had occupied himself with drawing profiles. With the help of a wax candle he produced a shadow of his subject in full size on a white sheet, on which he then traced the outline. Later he reproduced the picture on a smaller scale, and the portrait was finished.
      The correct way of taking a silhouette is however, to cut it out of black paper by hand. It requires a great deal of mechanical skill, but at the same time a beautiful result can be accomplished when a clever person wields the shears.
      In the nineteenth century it was quite an industry to clip silhouettes. One single man, August Edouart, who lived most of the time in America, cut out nearly 100,000 portraits, and still he was one of the few who understood how to give the silhouettes the true imprint of real art.
      The greatest genius in the field of this special branch of art who ever lived was Paul Konewka. Although he died when only 31 years old he developed such dexterity in silhouette cutting that he became known all over the world. He combined a fine decorative sense with wonderful adroitness in the use of scissors. He always carried with him a pair of scissors especially constructed for this use, and he cut with such deftness that he never needed to look at the scissors.
      The most celebrated among his silhouettes are the illustrations of "Faust" and Shakespear's dramas. His figures are so charming, his portraits so animated, that even the most particular critics must yield them admiration. In any case, this black art has fostered one great master, has given lasting fame to at least one name -- Paul Konewka.

Paper Doll Craft

      Paper dolls have been around as long as there has been paper. Faces or other objects were applied to the paper and they were used during religious rituals and ceremonies in the Asian cultures many centuries ago. The Japanese used paper for Origami, artful paper folding, and dating back to 800 AD they folded paper figurines in the shape of Kimono. Balinese people made paper and leather into puppets since before the Christian Era. Other cultures around the world have had paper formations or paper art, including in Poland, where they were called Wy'cinanki. These early types of paper figures differ from typical paper dolls today, as no clothes were made to be used with the dolls.
      In Europe, particularly France, the first paper dolls were made during the mid-18th century. The paper was jointed and they were called pantins meaning dancing or jumping jack puppet. They were intended to entertain adults and spread throughout high society. They were drawn or painted like people with fashions for each doll. These were more similar to contemporary Western paper dolls. Rare hand-painted sets of paper figures dating to the late 1780s can be found in some museums today.
      The biggest American producer of paper dolls, McLoughlin Brothers, was founded in early 1800 and was sold to Milton Bradley in 1920s. Around this time paper dolls became popular in the USA and then grew in popularity in the following decades.
      Book publishing companies that followed in the production of paper dolls or cut-outs were Lowe, Whitman, Saalfield and Merrill among others. Movie stars and celebrities became the focus in the early days of paper dolls in the USA. Paper dolls are still produced today and Whitman and Golden Co. still publish paper dolls.
      Vintage paper dolls with hand-painted artwork are becoming increasingly rare due to paper aging issues. They have become collectible, and the prices for mint uncut sets can be between $100 and up to over $500 for a sought after title.

Find Paper Dolls Online:  Mermaid Paper Doll List * paper dolls from Morgan Wills * The Ginghams Paper Doll Book * Free Printable Vintage Paper Dolls * Ning of Babalisme * Sally Weekly * Beachy Paper Dolls * Paper Dolls on Parade * Spring Paper Dolls * Mexican Paper Dolls * Snow White Paper Doll * Free Paper Dolls from AchivolArt * Mini Moppets *********
Paper Doll Artists: Keering * Wanda Stivison * Michal Negrin * Kimberly Crick * Ceremony * Rhondas Originals * Lindsey Carr * Atelier Cheri * Mat Rat Rubber * Laura Haviland *
Sunday Republic Paper Dolls: Myrtle * Irene * Thomas * Clara **
Orbina: Maciej Blaszak * kirakirahoshi * Ume Origami * Ningyogami dolls *
Video: Paper Doll Coloring Book by Hannah Stevenson * Paper Doll Dress Up Tin Purse Project * Make a Marie Antoinette Paper Doll * 3D Paper Dolls-How to Fold a Kusudama Unit * Shichi Go San Boy * Japanese Paper Doll Crafts **

Monday, June 24, 2013

Ways to Display Scherenschnitte

      There is more than one way to display Scherenshnitte or paper cuts. Traditionally scherenshnitte have been preserved either in old scrapbook collections, under glass in traditional frames for display or as ornamentation for holidays. I have linked to a few interesting articles that my visitors can look at in order to get some less traditional ideas about how they might display their own designs here.

Framing scherenschnitte in untraditional ways.
Anatassia Elias displays her unique paper cuts inside paper toilet tubes.

Sunday, June 23, 2013

Illuminate Your Initial

Initials by English Illuminators, 12th and 13th Century.
      Art historians classify illuminated manuscripts into their historic periods and types, including (but not limited to) Late Antique, Insular, Carolingian manuscripts, Ottonian manuscripts, Romanesque manuscripts, Gothic manuscripts, and Renaissance manuscripts. There are a few examples from later periods. The type of book that was most often heavily and richly illuminated, sometimes known as a "display book", varied between periods. In the first millennium, these were most likely to be Gospel Books. The Romanesque period saw the creation of many huge illuminated complete Bibles – one in Sweden requires three librarians to lift it. Many Psalters were also heavily illuminated in both this and the Gothic period. Single cards or posters of vellum, leather or paper were in wider circulation with short stories or legends on them about the lives of saints, chivalry knights or other mythological figures, even criminal, social or miraculous occurrences; popular events much freely used by story tellers and itinerant actors to support their plays. Finally, the Book of Hours, very commonly the personal devotional book of a wealthy layperson, was often richly illuminated in the Gothic period. Other books, both liturgical and not, continued to be illuminated at all periods. The Byzantine world also continued to produce manuscripts in its own style, versions of which spread to other Orthodox and Eastern Christian areas. See Medieval art for other regions, periods and types. Reusing parchments by scraping the surface and reusing them was a common practice; the traces often left behind of the original text are known as palimpsests.
      The Muslim World and in particular the Iberian Peninsula, with their traditions of literacy uninterrupted by the Middle Ages, were instrumental in delivering ancient classic works to the growing intellectual circles and universities of Western Europe all through the 1100s, as books were produced there in large numbers and on paper for the first time in Europe, and with them full treatises on the sciences, especially astrology and medicine where illumination was required to have profuse and accurate representations with the text.
      The Gothic period, which generally saw an increase in the production of these beautiful artifacts, also saw more secular works such as chronicles and works of literature illuminated. Wealthy people began to build up personal libraries; Philip the Bold probably had the largest personal library of his time in the mid-15th century, is estimated to have had about 600 illuminated manuscripts, whilst a number of his friends and relations had several dozen.
Initial letters from French manuscript, 15 Century.
      Up to the twelfth century, most manuscripts were produced in monasteries in order to add to the library or after receiving a commission from a wealthy patron. Larger monasteries often contained separate areas for the monks who specialized in the production of manuscripts called a scriptorium. Within the walls of a scriptorium were individualized areas where a monk could sit and work on a manuscript without being disturbed by his fellow brethren. If no scriptorium was available, then “separate little rooms were assigned to book copying; they were situated in such a way that each scribe had to himself a window open to the cloister walk.” The separation of these monks from the rest of the cloister indicates just how revered these monks were within their society.
      By the fourteenth century, the cloisters of monks writing in the scriptorium had almost fully given way to commercial urban scriptoria, especially in Paris, Rome and the Netherlands. While the process of creating an illuminated manuscript did not change, the move from monasteries to commercial settings was a radical step. Demand for manuscripts grew to an extent that the Monastic libraries were unable to meet with the demand, and began employing secular scribes and illuminators. These individuals often lived close to the monastery and, in certain instances, dressed as monks whenever they entered the monastery, but were allowed to leave at the end of the day. In reality, illuminators were often well known and acclaimed and many of their identities have survived.
      First, the manuscript was “sent to the rubricator, who added (in red or other colors) the titles, headlines, the initials of chapters and sections, the notes and so on; and then – if the book was to be illustrated – it was sent to the illuminator.” In the case of manuscripts that were sold commercially, the writing would “undoubtedly have been discussed initially between the patron and the scribe (or the scribe’s agent,) but by the time that the written gathering were sent off to the illuminator there was no longer any scope for innovation.”

Practice coloring this large illuminated "M" from the 12th Century. Use a variety of ink pens, gel pens and metallic inks to decorate the narrow, delicate design work.
Have young students draw a large grid and then fill in each square space with one of their initials. Then encourage them to decorate each similar square with a repeating pattern. In this lesson they can learn about patterns, symbols, shapes, color and division.
 View Illuminated Manuscripts:
Illuminated Manuscript Resource Online:
 Modern Illuminated Manuscripts:

Saturday, June 15, 2013

Miniature Paper Kitchen Furnishings for Your Paper Dolls

      Three pieces of kitchen furniture for paper dolls from 1911 are being published this week. You may color them before cutting them out, according to your own taste, but naturally the stove should be dark gray or black. The other two pieces are a table and a chair, which will look well if colored yellow or white and blue. The table may have a white top with blue supports.
      Paste the entire sheet of furniture on letter paper so that the different pieces will be stiff enough to stand up. Then cut out each piece neatly by the arrows. Cut the straight slits, which you see, into which are to be thrust the tabs. The slits are most easily cut with a knife. When this has been done thrust the tabs through these slits and paste them down.
      If you did not make the box apartment as described in this series of publications, you may wish to display the pieces in a separate cardboard display measuring at least eight inches long, seven inches wide-and four inches high. the floor may be stained a dark brown or painted yellow, which is a good color for a kitchen floor of during the time for which the furniture designs were common in an American home. The walls may be colored in any tint that you prefer. The floor may have a square or oval of colored paper pasted in the middle of the floor representing a rug. Cut a window in one wall and a door in another and take one of the long walls away and the top off, as then the furniture will be more easily placed and the scene conveniently played with.

Designing Doll House Interiors:

Friday, June 14, 2013

Buster Brown and Tige at Dinner

      Cut around the outline, cutting the X; also cut the outline of the table pieces and bend up. Bend up the figures and paste laps to corners and the table is complete.

Thursday, June 13, 2013

Alien Name Cursive Exercise

      Cursive, also known as script, joined-up writing, joint writing, running writing, or handwriting is any style of penmanship in which the symbols of the language are written in a conjoined and/or flowing manner, generally for the purpose of making writing faster. However, not all cursive copybooks join all letters. Formal cursive is generally joined, but casual cursive is a combination of joins and pen lifts. In the Arabic, Latin, and Cyrillic alphabets, many or all letters in a word are connected, sometimes making a word one single complex stroke.
      While the terms cursive or script are popular in the United States for describing this style of writing the Latin script, this term is rarely used elsewhere. Joined-up writing is more popular in the United Kingdom, Ireland and Australia. The term handwriting is common in the United States, United Kingdom, Ireland, Canada, Australia and New Zealand.
      Cursive is considered distinct from printscript, in which the letters of a word are unconnected and in Roman/Gothic letterform rather than joined-up script. Printscript is also commonly called "manuscript", "block letter", "print writing", "block writing" (and sometimes simply "print" which confusingly also refers to mechanical printing).
      A distinction is also made between cursive and "italic" penmanship, in which some ascenders and descenders of cursive have loops which provide for joins and italic which is derived from chancery cursive, which mostly uses non-looped joins or no joins. There are no joins from g, j, q or y, and a few other joins are discouraged. Italic penmanship became popular in the 15th century Italian Renaissance. The term "italic" as it relates to handwriting is not to be confused with typed letters that slant forward. Many, but not all letters in the handwriting of the Renaissance were joined, as they are today in italic.
      In Hebrew cursive and Roman cursive, the letters are not connected. In the research domain of handwriting recognition, this writing style is called connected cursive, to indicate the difference between the phenomenon of italic and sloppy appearance of individual letters (cursive) and the phenomenon of connecting strokes between letters, i. e., a letter-to-letter transition without a pen lift (connected cursive).
      The origin of the cursive method is associated with practical advantages of writing speed and infrequent pen lifting to accommodate the limitations of the quill. Quills are fragile, easily broken, and will spatter unless used properly. Steel dip pens followed quills; they were sturdier, but still had some limitations. The individuality of the provenance of a document was a factor also, as opposed to machine font.
      In the following exercise, students write their first or middle names in cursive across a folded 8 1/2 x 11inch, white piece of typing paper. They may use a pencil to start with and then trace over their name with a black marker. Then allow them to turn their paper over and trace their cursive name on the back side of the folded paper in order to shape an "alien" outline. They will need to do this tracing either on a light table or a window. Students may then spin their names around and decide which vertical application will look best as an alien.

The names, Natalie and Hannah written in cursive.
The finished aliens found in the girls' names. Add fins, tails, teeth, antenna, and giant eyeballs to decorate your cursive alien names.
More Alien Name Art Lessons: