Tuesday, September 19, 2017

St. Patrick's Day Index

Above are four shamrock crafts from this blog.
         St. Patrick Day is celebrated in honor of the patron saint of Ireland. It is believed that he was born near the site of what is now Dumbarton, Scotland. At the age of sixteen he was taken captive to Ireland, but after six years he escaped. Feeling himself called to abolish paganism from the land of his captivity, he studied for the ministry, was consecrated bishop of Ireland, and began his missionary work there in 432. A. D. It is said that he founded 300 churches in the island and baptized more than 12,000 converts. Patrick left an autobiography which he called a Confession, but it was more psychology than historic, and the known facts of his life are few. Legend says he drove the snakes out of  Ireland, and that he worked miracles. "Saint Patrick's day," the seventeenth of March, is celebrated by the Irish people throughout the world.
 Artifacts for The Celebration of Saint Patrick's Day:
  1. Stories, Books, and Film for Celebrating St. Patrick's Day
  2. Ossain Sang
  3. St. Patrick's Greatness
  4. AEolian Harp
  5. Craft Three Age Appropriate Clover Mosaics for St. Patrick's Day
  6. The Earth and Man
  7. Pattern for stamp box in pyrography
  8. "St. Patrick's Day In The Morning"
  9. Gracie Og Machree
  10. "Oh Danny Boy"
  11. St. Patrick's Day Silhouettes
  12. Paper Snake Mosaics
  13. Irish Lullaby
  14. St. Patrick's Day Crafts and Craft Links
  15. St. Patrick, Ireland's Patron Saint
  16. A Fairy Necklace
  17. Flower Fairies
  18. Shamrock Song
  19. A Sunshine Rainbow 
  20. Draw bees and clover for St. Patrick's Day
  21. A Sky Rainbow  
  22. The Ivy Green by Charles Dickens
  Vivian shares her leprechaun trap, a common art assignment
in some American schools during the month of March.
Check out Natalie's classroom leprechaun traps.

Easter Holiday Index

Twins hunting eggs at the White House.
       Easter, the festival commemorating the resurrection of Christ, observed in many branches of the Christian Church. By the first Christians it was regarded as continuing the feast of the Passover, at which the paschal lamb, a symbol of Christ, was sacrificed. Hence its name in Greek and in the Romance languages is taken from the Hebrew Pesach, meaning Passover.
       The English name comes from the Anglo-Saxon Eostre, a pagan goddess of light or spring, whose festival was celebrated in April. There was a long dispute in the Christian Church as to the proper time for holding Easter, the Christians of the East celebrating it on the same day as that on which the Jewish Passover fell, that is the fourteenth of Nisan, while the majority of the Church celebrated it on the Sunday next after this day. The controversy was decided by the Council of Nice in 325, which fixed Easter on the first Sunday after the full moon which happens upon or next after March 21. If the full moon happens on a Sunday, Easter is the Sunday after.
The Celebration of Easter: Much of this content may be used for creating newsletters for parents and teachers. Some of it is good for child recitations. I will be adding puzzles and paper crafts to these posts that are Easter/Spring themed as well. Enjoy!
  1. The First Easter from St. Luke 
  2. Easter Even - poem by Christina G. Rossetti 
  3. Easter Songs in Verse and For Coloring
  4. Easter Day in Rome - poem by Oscar Wilde 
  5. Easter message with chics...
  6. The Story of Easter Eggs - poem by Christoph Von Schmid 
  7. "Easter Greetings" for all God's creatures... 
  8. "Easter Lilies" and Window Boxes Too... - poem by Susan Coolidge
  9. "Mary" and a Primrose paper cut- poem by Margaret E. Sangster  
  10. Why I Love Jesus
  11. Easter Singers in the Vorarlburg from - "Chamber's Book of Days"
  12. Easter Joys, Spring Redresses Nature
  13. Mary's Easter  - poem by Marie Mason 
  14. To An Easter Lily 
  15. Medieval Easter Plays - by Henry Barret Hinckley  
  16. The Little Boy
  17. The Day of Victory - poem by Rachel Capen Schauffler 
  18. The Stories I Like 
  19. The Stone of the Sepulcher - poem by Susan Coolidge 
  20. Easter Bells
  21. At Easter Time  - poem by Laura E. Richards 
  22. Easter Message
  23. Easter Dawn - poem by Frances Ridley Havergal  
  24. The First Easter
  25. Easter Organ Music - poem by Harvey B. Gaul 
  26. My Easter Bunny
  27. Song of Easter - poem by Celia Thaxter 
  28. Poem "I Wonder" and Butterfly Paper Craft
  29. Nature's Easter Music - poem by Lucy Larcom 
  30. Easter Secret 
  31. How Moravians Observe Easter - poem by Charles H, Rominger  
  32. Easter's Brightness
  33. Poem "Awakening" and A Tulip Border Craft - poem by Rose Terry Cook 
  34. "Tis Easter Day".
  35. On Easter Morn - poem by Edith M. Thomas 
  36. "Jesus Knew" and Palm Leaf Paper Cut Border
  37. Russian Easters - Abridged from The Saturday Review 
  38. Easter Day
  39. An Easter Carol - poem by Christina G. Rossetti  
  40. Easter Message
  41. Easter Even - poem by Margaret French Patton
  42. Easter Lily 
  43. The Barren Easter - poem by Clinton Scollard
  44. A Madrigal - poem by Clinton Scollard 
  45. The Bells of Kremlin  - by Augustus J. G. C. Hare 
  46. Of The Lord's Day and Easter - by William Cave 
  47. Poem "Compensation" and Daffodil Border Craft
  48. Singing and tweeting all "Easter Week"  - poem by Charles Kingsley
  49. The Apparition of Christ to His Mother - poem by Mrs. Jameson
  50. Easter - poem by Genevieve M. J. Irons
  51. Easter Day - poem by Josephine Rice Creelman 
  52. A Glimpse of Easter in the Azores - by Henry Sandham 
  53. Egg Rolling at The White House
  54. Easter Morning - by Edmund Spenser
  55. Easter Wings - poem by George Herbert
  56. An Easter Greeting To Every Child Who Loves  Alice" - by Lewis Carroll
  57. Easter Lilies - poem by Mary Lowe Dickinson 
  58. After Easter - poem by Mary Lowe Dickinson 
  59. A letter from Grandpa about Easter eggs and ducks  
  60. Easter Sacraments - poem by Henry Park Schauffler
  61. The Resurrection, Or Easter Day - poem by George Herbert
  62. Easter  - poem by George Herbert
  63. The Easter Joy - poem by Margaret E. Sangster
  64. Seek Those Things Which Are Above - poem by William Newell
  65. Woman's Easter - poem by Lucy Larcom
  66. Day Dawn - A Quiet Talk On Easter by S. D. Gordon
  67. The Crescent And The Cross - poem by Thomas Baily Aldrich
  68. The Easter Message - by Charles E. Hesselgrave
  69. An Easter Song - poem by Susan Coolidge
  70. Egg Hunt Silhouettes and Vintage Coloring

May Day Index

Queen Guinevere's Maying, by John Collier
Read more about May Day at Wikipedia

       The first of May, or May Day, has been associated with out-of-door festivities from the days of ancient Rome. The Romans were accustomed to hold yearly processions in honor of Flora, a mythological goddess of flowers, between April 28 and May 3, and it is supposed that the beautiful village festivals of medieval England had their origin in this custom. The English maypole set up on the village green the night before May Day, was bedecked in the morning with flowers, which were brought from the woods by happy young people. Especially joyous was the beauty who was chosen queen of the May, and who honored her subjects by dancing with them around the maypole. Tennyson's May Queen gives a charming picture of this form of merry making. Dancing about the maypole is sometimes introduced very effectively into modern entertainments and school programs.
May Day Coloring Sheets:
  1. Dancing around a Maypole and The May Pole Dance
  2. Happy May Day! from printables4kids
  3. Maypole Dancing On May Day Coloring Pages from tocolor.pics
May Day Crafts from Around The Web:
 A Maypole Dance performed at 
The School in Rose Valley by students

The May Queen

The May Queen 
by Lord Alfred  Tennyson

YOU must wake and call me early, call me early, mother dear;   
To-morrow 'll be the happiest time of all the glad new-year,--  
Of all the glad new-year, mother, the maddest, merriest day;   
For I'm to be Queen o' the May, mother, I'm to be Queen o' the May.   

I sleep so sound all night, mother, that I shall never wake,   
If you do not call me loud when the day begins to break;           
But I must gather knots of flowers and buds, and garlands gay;   
For I'm to be Queen o' the May, mother, I'm to be Queen o' the May.       

The night-winds come and go, mother, upon the meadow-grass,   
And the happy stars above them seem to brighten as they pass;   
There will not be a drop of rain the whole of the livelong day;           
And I'm to be Queen o' the May, mother, I'm to be Queen o' the May.   

So you must wake and call me early, call me early, mother dear;   
To-morrow 'll be the happiest time of all the glad new-year;   
To-morrow 'll be of all the year the maddest, merriest day,   
For I'm to be Queen o' the May, mother, I'm to be Queen o' the May.

Tuesday, September 12, 2017

Practice drawing with the use of a grid...

Grid superimposed on top of a sketch of horse and cat.
ENLARGING AND REDUCING PICTURES.

       A simple picture may be enlarged by means of clots and dotted lines to guide the eye, as shown on the next page, where we have a number of compound curves applied to vase forms, which are to be reproduced the same size below and enlarged on the opposite page. If, however, the picture is not a single figure, but contains a large amount of detail, it is best to enlarge it by means of squares, as shown just left. To do this, take the original, and divide it into a number of squares, as shown in the small figure. If the picture is desired twice as long as the original make a square twice its dimensions, or, if it is to be reduced and it is desired to have it only half the length of the copy, then the square should be made only one-half the dimensions of the original. For instance, Fig. above, left is a small picture, which measures two and one-half inches long by two inches wide. We want a picture five inches long, consequently, we draw a square twice the dimensions of the small picture, or five inches long by four inches wide. This large square is now divided into five squares in length by four squares in width, or just the same number as have been made on the copy, but, of course, those are proportionately smaller.
       The eye and hand now have a guide, and by noting the relative position of the outlines in the original to the corners and edges of the squares, and by carefully following this guide an enlarged picture, correctly proportioned, may be made.
       In placing the details of the picture care should be taken to place correctly in the enlarged picture according to their position in the copy. If the eye of the horse is in the corner of a square in the small picture, a correspondingly large one should be similarly placed in the enlarged picture. The cat's tail extends to the upper line of the third row of squares in the original, and should do the same in the reproduction. In drawing the horse's ears, note the proportion of the small square that is covered by them, and by following the same proportions in the large square, they may be accurately enlarged.
       To reduce a picture, make a square the size desired; divide it into squares, and the copy into the same number of squares. This will furnish a guide by which any large picture may be accurately reduced to the size desired, the same as in enlarging. Practice on the pictures given, on loose paper, and do not attempt to reproduce on the pages left in this book until creditable work can be done. Cline
Above you can see the sample grid drawings that I've made from pictures cut and laminated from magazines.
Students may use these to practice enlarging and reducing images on grids during free drawing time in the art classroom.

Friday, September 8, 2017

A Glimpse of Easter In The Azores

       Even the gray Lenten season wraps carnival's domino over its sackcloth and ashes for these people whose grace turns all to favor and prettiness; only the inevitable statues of the tortured Christ remind one of the season, and soon wounds and bruises are hidden by violets, heliotrope, and pansies (aniores perfeitos, they call them). To fast when one may feast is, in Azorean creed, lack of gratitude to a very good God, so Holy Thursday is a beautiful feast called Almond day, when one eats almond-sweets till he positively sickens at the shrill cry of almond-venders, which goes up from dawn till midnight.
       Good Friday is supposed to be the day of mourning, and in the churches the closing scenes of the Calvary tragedy are enacted. The three crosses rise on a rocky mound before the veiled high altar, whereon life-sized dummy figures are crucified by aid of pulleys and ropes and mechanical devices. The entombment takes place at a side altar, converted into a garden for the purpose, where life-sized figures in armor represent Roman sentinels. The Saturday continues Friday's gloom and darkness with the aid of much dreary chanting, till just at the hour of noon, when the droning clergy, marching round the church, pause before the chapel of the tomb in an instant's silence, there comes a cry of wonder at the discovery of the empty grave, and simultaneously with the cry the veils fall from the altars, and pictures, and the black curtains from the windows, letting a flood of light pour down on the crowded, excited people. The long-silent organ augmented by choir and orchestra, breaks out in triumph, the half-masted flags of the city run to the mast-head, and all the bells clash out their paean of joy. Henry Sandham

Easter Procession

Easter Day


Easter Day
by Josephine Rice Creelman

Morning
Oh, Easter anthems gladly sing.
Let all the bells from towers ring.
And sun dispel with brightening rays.
The darkness of the Passion days !
Fair lilies with their crystal light
And eager, joyous greetings bright
Proclaim the Lord has risen again,
And put asunder death and pain !

Evening
Now sweet the sound of Vesper-bells,
The hour of evening prayer foretells,
And comes a benediction calm,
That robs the soul of all alarm,
The sky has faded in the west.
The world sinks to its peaceful rest.
The Vesper Star a taper-light.
Shines through the dark of Easter night!

Easter

Easter
by Genevieve M. J. Irons

Deep in yon garden-shade
The life of all is laid
In death's calm sleep;
Armed soldiers waiting near,
Amazed and full of fear,
Their vigil keep.
Angels, and stars, and the fair moon above.
Look down in silent awe and reverent love.

Through the dark cypress-trees
The gentle midnight breeze
Sighs a low wail;
Breath from the dewy ground
O'er the green earth around
Spreads a soft veil;
Each glade and valley, mountain, dale, and hill,
Echoes the solemn whisper, "Peace, be still."

Hushed Nature sinks to rest,
And on her Maker's breast
She falls asleep ;
Released from human woes.
The Almighty finds repose
In slumber deep ;
But saints are watching through the silent night.
In eager patience waiting for the light.

The mother undefiled
Is pondering on her Child,
Now crucified;
And through her tearless dreams
The cross in radiance beams,
Whereon he died.
Bright visions dawn. Behold ! the darkness flies,
Resplendent from the grave she sees him rise.

John the Beloved stands by,
Gazing with wondering eye
At Mary's smile ;
And angels at the sight,
Pause in their heavenward flight.
To muse awhile.
Yet the sun hides itself in dim eclipse,
While he awaits his full apocalypse.

Peter, who thrice denied
The Master at his side.
The Lord of all.
With penitential tears
And deep heart-searching fears.
Bewails his fall.
There, as he weeps in bitter grief apart,
His Savior's look speaks comfort to his heart.

The lowly Magdalene
(Of penitents the queen)
Waits for the morn.
When in that cave so still
Her task she may fulfill
Of love forlorn;
And first to her Christ risen shall appear,
Though in a form unknown he draweth near.

While he who longed to die
With Christ on Calvary,
Whose love devout
His Master proved and tried
By heartfelt prayer denied,
Must wait in doubt ;
Eight days of solemn gloom in darkness past,
On trustful Thomas he will shine at last.

But lo, the Sabbath ends !
Nocturn with matins blends.
The morning breaks ;
The shadows flee away
Before the rising day,
And Christ awakes !
Angels proclaim the anthem far and near,
" Ye seek your risen Lord; he is not here."

The Apparition of Christ To His Mother

       The enthusiastic and increasing veneration for the Madonna, the large place she filled in the religious teaching of the ecclesiastics and the religious sentiments of the people, are nowhere more apparent, nor more strikingly exhibited, than in the manner in which she was associated with the scenes which followed the Passion; -- the manner in which some incidents were suggested, and treated with a peculiar reference to her, and to her maternal feelings. It is nowhere said that the Virgin-mother was one of the Maries who visited the tomb on the morning of the resurrection, and nowhere is she so represented. But out of the human sympathy with that bereaved and longing heart, arose the beautiful legend of the interview between Christ and his Mother after he had risen from the dead.
       There existed a very ancient tradition (it is mentioned by St. Ambrose in the fourth century, as being then generally accepted by Christians), that Christ, after his return from Hades, visited his Mother even before he appeared to Mary Magdalene in the garden. . . . The reasoning which led to the conclusion was very simple. He whose last earthly thought was for his mother would not leave her without that consolation it was in his power to give; and what, as a son, it was his duty to do (for the humanity of Christ is never forgotten by those who most intensely believed in his divinity) ; that, of course, he did do.
       The story is thus related: -- Mary, when all was "finished," retired to her chamber, and remained alone with her grief-- not wailing, not repining, not hopeless, but waiting for the fulfillment of the promise. Open before her lay the volume of the prophecies ; and she prayed earnestly, and she said, "Thou didst promise, O my most dear Son! that thou wouldst rise again on the third day. Before yesterday was the day of darkness and bitterness, and, behold, this is the third day. Return then to me thy mother; O my Son, tarry not, but come!" And while thus she prayed, lo! a bright company of angels, who entered waving their palms and radiant with joy ; and they surrounded her, kneeling and singing the triumphant Easter hymn, Regina Coeli Laetare, Alleluia! And then came Christ partly clothed in a white garment, having in his left hand the standard with the cross, as one just returned from the nether world, and victorious over the powers of sin and death. And with him came the patriarchs and prophets, whose long-imprisoned spirits he had released from Hades. All these knelt before the Virgin, and saluted her, and blessed her, and thanked her, because through her had come their deliverance. But, for all this, the Mother was not comforted till she had heard the voice of her Son. Then he, raising his hand in benediction, spoke and said, "I salute thee, O my mother! " and she, weeping tears of joy, responded, " Is it thou indeed, my most dear Son? " and she fell upon his neck, and he embraced her tenderly, and showed her the wounds he had received for sinful man. Then he bade her be comforted and weep no more, for the pain of death had passed away, and the gates of hell had not prevailed against him. And she thanked him meekly on her knees, for that he had been pleased to bring redemption to man, and to make her the humble instrument of his great mercy. And they sat and talked together, until he took leave of her to return to the garden, and to show himself to Mary Magdalene, who, next to his glorious mother, had most need of consolation. by Mrs. Jameson

"Easter Week" full of singing and tweeting...

Easter Week
by Charles Kingsley

See the land, her Easter keeping,
Rises as her Maker rose.
Seeds, so long in darkness sleeping,
Burst at last from winter snows.
Earth with heaven above rejoices,
Fields and gardens hail the spring;
Shaughs and woodlands ring with voices,
While the wild birds build and sing.

You to whom your Maker granted
Powers to those sweet birds unknown,
Use the craft by God implanted;
Use the reason not your own.
Here, while heaven and earth rejoices,
Each his Easter tribute bring --
Work of fingers, chant of voices.
Like the birds who build and sing. 
 

        Now draw some birds in their nest in just a few steps, 1, 2, 3... They are singing a new Spring song to celebrate Easter morning for you, God and me!


It's really lots
Of fun to draw;
So let's put down
Some things I saw.

Sketch half a circle
Like this one;
Then several small ones
When that's done.

Some crooked lines,
An eye or two;
And two small birds
Peep out at you.

Poem "Compensation" and A Daffodil Border Craft

Compensation
by an unknown English poet

The graves grow thicker, and life's ways more bare,
As years on years go by:
Nay, thou hast more green gardens in thy care.
And more stars in thy sky!

Behind, hopes turned to grief, and joy to memories.
Are fading out of sight ;
Before, pains changed to peace, and dreams to cer-
tainties,
Are glowing in God's light.

Hither come backslidings, defeats, distresses,
Vexing this mortal strife;
Thither go progress, victories, successes,
Crowning immortal life.

Few jubilees, few gladsome, festive hours,
Form landmarks for my way;
But heaven and earth, and saints and friends and
flowers,
Are keeping Easter Day! 
 

 Cut an Easter daffodil paper boarder to decorate your home or classroom for Easter.
 
 
       Download and print out the pattern below. The dotted lines indicate where the image will be folded to continue the daffodil silhouette seamlessly after it is unfolded. The number of images "linked" together in one continuous chain is determined by the length of the paper being cut. Use a very thin paper to make your cutting easier. Cut away the areas indicated by the design. (see image above and read text on the pattern below. This paper-cut may be used as a border around a Easter bulletin board in a classroom or as a paper chain for a shelf if you like.
 
An Easter daffodil template/pattern.


Of The Lord's Day and Easter

       Time is a circumstance no less inseparable from religious actions than place, for man consisting of a soul and body cannot always be actually engaged in the service of God: that is the privilege of angels, and souls freed from the fetters of mortality. So long as we are here, we must worship God with respect to our present state, and consequently of necessity have some definite and particular time to do it in. Now, that a man might not be left to a floating uncertainty in a matter of so great importance, in all ages and nations men have been guided by the very dictates of nature to pitch upon some certain seasons, wherein to assemble and meet together to perform the public offices of religion. The ancient Christians ever had their peculiar seasons, their solemn and stated times of meeting together to perform the common duties of divine worship; of which, the Lord's-day challenges the precedency of all the rest. . . .
       The name of this day of public worship is sometimes, especially by Justin Martyr and Tertullian, called Sunday, because it happened upon that day of the week which by the heathens was dedicated to the sun; and therefore, as being best known to them, the Fathers commonly made use of it in their Apologies to the heathen governors. This title continued after the world became Christian, and seldom it is that it passes under any other name in the imperial edicts of the first Christian emperors. But the more proper and prevailing name was Dies Dominica, the Lord's- day, as it was called by St. John himself, as being that day of the week whereon our Lord made his triumphant return from the dead. This, Justin Martyr assures us, was the original of the title. " Upon Sunday," he says," we all assemble and meet together, as being the first day wherein God, parting the darkness from the rude chaos, created the world, and the same day whereon Jesus Christ our Savior rose again from the dead; for he was crucified the day before Saturday, and the day after (which is Sunday) he appeared to his apostles and disciples ": by this means observing a kind of analogy and proportion with the Jewish Sabbath, which had been instituted by God himself. For as that day was kept as a commemoration of God's Sabbath, or resting from the work of creation, so was this set apart to religious uses, as the solemn memorial of Christ's resting from the work of our redemption in this world, completed upon the day of his resurrection. Which brings into my mind that custom of theirs so universally common in those days, that whereas at other times they kneeled at prayers, on the Lord's-day they always prayed standing, as is expressly affirmed both by Justin Martyr and Tertullian ; the reason of which we find in the authors of the Questions and Answers in Justin Martyr. "It is," says he, "that by this means we may be put in mind both of our fall by sin, and our resurrection or restitution by the grace of Christ; that for six days we pray upon our knees, as in token of our fall by sin; but that on the Lord's-day we do not bow the knee, does symbolically represent our resurrection by which through the grace of Christ we are delivered from our sins, and the power of death." This, he there tells us, was a custom derived from the very times of the apostles, for which he cites Irenaeus in his book concerning Easter ; and this custom was maintained with so much vigor, that, when some began to neglect it, the great council of Nice took notice of it, and ordained that there should be a constant uniformity in this case, and that on the Lord's-day (and at such times as were usual) men should stand when they made their prayers to God. So fit and reasonable did they think it to do all possible honor to that day on which Christ rose from the dead. Therefore we may observe, all along in the sacred story, that after Christ's resurrection the apostles and the primitive Christians did especially assemble upon the first day of the week: and, whatever they might do at other times, yet there are many passages that intimate that the first day of the week was their most solemn time of meeting. . . .
       They looked upon the Lord's-day as a time to be celebrated with great expressions of joy, as being the happy memory of Christ's resurrection, and accordingly restrained whatever might savor of sorrow and sadness. Fasting on that day they prohibited with the greatest severity, accounting it utterly unlawful, as Tertullian informs us. . . . They never fasted on that day, no, not in the time of Lent itself; nay, the Montanists, though otherwise great pretenders to fasting and mortification, did yet abstain from it on the Lord's-day. And, as they accounted it a joyful and good day, so they did whatever they thought might contribute to the honor of it. No sooner was Constantine come over the church but his principle care was about the Lord's-day. He commanded it to be solemnly observed, and that by all persons whatsoever. He made it to all a day of rest; that men might have nothing to do but to worship God, and be better instructed in the Christian faith, and spend their whole time without anything to hinder them in prayer and devotion, according to the custom and discipline of the church. And for those in his army, who yet remained in their paganism and infidelity, he commanded them upon the Lord's-day to go into the fields, and there pour out their souls in hearty prayers to God; and that none might pretend their own inability to the duty, he him- self composed and gave them a short form of prayer, which he enjoined them to make use of every Lord's- day: so careful was he that this day should not be dishonored or misemployed, even by those who were yet strangers and enemies to Christianity. He more- over ordained that there should be no courts of judicature open upon this day, no suits or trials at law; but that for any works of mercy, such as emancipating and setting free of slaves or servants, this might be done. That there should be no suits nor demanding debts upon this day, was confirmed by several laws of succeeding emperors. . . . Theodosius the Great, anno 386, by a second law ratified one he had passed long before, wherein he expressly prohibited all public shows upon the Lord's-day, that the worship of God might not be confounded with those profane solemnities. This law the younger Theodosius some years after confirmed and enlarged, enacting, that on the Lord's-day not only Christians, but even Jews and heathens, should be restrained from the pleasure of all sights and spectacles, and the theaters be shut up in every place ; and whereas it might so happen that the birthday or inauguration of the emperor might fall upon that day, therefore to let the people know how infinitely he preferred the honor of God, before the concerns of his own majesty and greatness, he commanded that the imperial solemnity should be put off till another day.
       The early Christians did not think it enough to read and pray and praise God at home, but made conscience of appearing in the public assemblies, from which nothing but sickness and absolute necessity did detain them: and if sick, or in prison, or under banishment, nothing troubled them more than that they could not come to church, and join their devotions to the common services. If persecution at any time forced them to keep a little close, yet no sooner was there the least mitigation, but they presently returned to their open duty, and publicly met all together. No trivial pretenses, no light excuses, were then admitted for any one's absence from the congregation, but, according to the merit of the cause, severe censures were passed upon them. The synod of Illiberis provided that if any man dwelling in a city (where usually churches were nearest hand) should for three Lord's-days absent himself from the church, he should for some time be suspended the communion, that he might appear to be corrected for his fault. William Cave