Friday, September 8, 2017

The Apparition of Christ To His Mother

       The enthusiastic and increasing veneration for the Madonna, the large place she filled in the religious teaching of the ecclesiastics and the religious sentiments of the people, are nowhere more apparent, nor more strikingly exhibited, than in the manner in which she was associated with the scenes which followed the Passion; -- the manner in which some incidents were suggested, and treated with a peculiar reference to her, and to her maternal feelings. It is nowhere said that the Virgin-mother was one of the Maries who visited the tomb on the morning of the resurrection, and nowhere is she so represented. But out of the human sympathy with that bereaved and longing heart, arose the beautiful legend of the interview between Christ and his Mother after he had risen from the dead.
       There existed a very ancient tradition (it is mentioned by St. Ambrose in the fourth century, as being then generally accepted by Christians), that Christ, after his return from Hades, visited his Mother even before he appeared to Mary Magdalene in the garden. . . . The reasoning which led to the conclusion was very simple. He whose last earthly thought was for his mother would not leave her without that consolation it was in his power to give; and what, as a son, it was his duty to do (for the humanity of Christ is never forgotten by those who most intensely believed in his divinity) ; that, of course, he did do.
       The story is thus related: -- Mary, when all was "finished," retired to her chamber, and remained alone with her grief-- not wailing, not repining, not hopeless, but waiting for the fulfillment of the promise. Open before her lay the volume of the prophecies ; and she prayed earnestly, and she said, "Thou didst promise, O my most dear Son! that thou wouldst rise again on the third day. Before yesterday was the day of darkness and bitterness, and, behold, this is the third day. Return then to me thy mother; O my Son, tarry not, but come!" And while thus she prayed, lo! a bright company of angels, who entered waving their palms and radiant with joy ; and they surrounded her, kneeling and singing the triumphant Easter hymn, Regina Coeli Laetare, Alleluia! And then came Christ partly clothed in a white garment, having in his left hand the standard with the cross, as one just returned from the nether world, and victorious over the powers of sin and death. And with him came the patriarchs and prophets, whose long-imprisoned spirits he had released from Hades. All these knelt before the Virgin, and saluted her, and blessed her, and thanked her, because through her had come their deliverance. But, for all this, the Mother was not comforted till she had heard the voice of her Son. Then he, raising his hand in benediction, spoke and said, "I salute thee, O my mother! " and she, weeping tears of joy, responded, " Is it thou indeed, my most dear Son? " and she fell upon his neck, and he embraced her tenderly, and showed her the wounds he had received for sinful man. Then he bade her be comforted and weep no more, for the pain of death had passed away, and the gates of hell had not prevailed against him. And she thanked him meekly on her knees, for that he had been pleased to bring redemption to man, and to make her the humble instrument of his great mercy. And they sat and talked together, until he took leave of her to return to the garden, and to show himself to Mary Magdalene, who, next to his glorious mother, had most need of consolation. by Mrs. Jameson

"Easter Week" full of singing and tweeting...

Easter Week
by Charles Kingsley

See the land, her Easter keeping,
Rises as her Maker rose.
Seeds, so long in darkness sleeping,
Burst at last from winter snows.
Earth with heaven above rejoices,
Fields and gardens hail the spring;
Shaughs and woodlands ring with voices,
While the wild birds build and sing.

You to whom your Maker granted
Powers to those sweet birds unknown,
Use the craft by God implanted;
Use the reason not your own.
Here, while heaven and earth rejoices,
Each his Easter tribute bring --
Work of fingers, chant of voices.
Like the birds who build and sing. 
 

        Now draw some birds in their nest in just a few steps, 1, 2, 3... They are singing a new Spring song to celebrate Easter morning for you, God and me!


It's really lots
Of fun to draw;
So let's put down
Some things I saw.

Sketch half a circle
Like this one;
Then several small ones
When that's done.

Some crooked lines,
An eye or two;
And two small birds
Peep out at you.

Poem "Compensation" and A Daffodil Border Craft

Compensation
by an unknown English poet

The graves grow thicker, and life's ways more bare,
As years on years go by:
Nay, thou hast more green gardens in thy care.
And more stars in thy sky!

Behind, hopes turned to grief, and joy to memories.
Are fading out of sight ;
Before, pains changed to peace, and dreams to cer-
tainties,
Are glowing in God's light.

Hither come backslidings, defeats, distresses,
Vexing this mortal strife;
Thither go progress, victories, successes,
Crowning immortal life.

Few jubilees, few gladsome, festive hours,
Form landmarks for my way;
But heaven and earth, and saints and friends and
flowers,
Are keeping Easter Day! 
 

 Cut an Easter daffodil paper boarder to decorate your home or classroom for Easter.
 
 
       Download and print out the pattern below. The dotted lines indicate where the image will be folded to continue the daffodil silhouette seamlessly after it is unfolded. The number of images "linked" together in one continuous chain is determined by the length of the paper being cut. Use a very thin paper to make your cutting easier. Cut away the areas indicated by the design. (see image above and read text on the pattern below. This paper-cut may be used as a border around a Easter bulletin board in a classroom or as a paper chain for a shelf if you like.
 
An Easter daffodil template/pattern.


Of The Lord's Day and Easter

       Time is a circumstance no less inseparable from religious actions than place, for man consisting of a soul and body cannot always be actually engaged in the service of God: that is the privilege of angels, and souls freed from the fetters of mortality. So long as we are here, we must worship God with respect to our present state, and consequently of necessity have some definite and particular time to do it in. Now, that a man might not be left to a floating uncertainty in a matter of so great importance, in all ages and nations men have been guided by the very dictates of nature to pitch upon some certain seasons, wherein to assemble and meet together to perform the public offices of religion. The ancient Christians ever had their peculiar seasons, their solemn and stated times of meeting together to perform the common duties of divine worship; of which, the Lord's-day challenges the precedency of all the rest. . . .
       The name of this day of public worship is sometimes, especially by Justin Martyr and Tertullian, called Sunday, because it happened upon that day of the week which by the heathens was dedicated to the sun; and therefore, as being best known to them, the Fathers commonly made use of it in their Apologies to the heathen governors. This title continued after the world became Christian, and seldom it is that it passes under any other name in the imperial edicts of the first Christian emperors. But the more proper and prevailing name was Dies Dominica, the Lord's- day, as it was called by St. John himself, as being that day of the week whereon our Lord made his triumphant return from the dead. This, Justin Martyr assures us, was the original of the title. " Upon Sunday," he says," we all assemble and meet together, as being the first day wherein God, parting the darkness from the rude chaos, created the world, and the same day whereon Jesus Christ our Savior rose again from the dead; for he was crucified the day before Saturday, and the day after (which is Sunday) he appeared to his apostles and disciples ": by this means observing a kind of analogy and proportion with the Jewish Sabbath, which had been instituted by God himself. For as that day was kept as a commemoration of God's Sabbath, or resting from the work of creation, so was this set apart to religious uses, as the solemn memorial of Christ's resting from the work of our redemption in this world, completed upon the day of his resurrection. Which brings into my mind that custom of theirs so universally common in those days, that whereas at other times they kneeled at prayers, on the Lord's-day they always prayed standing, as is expressly affirmed both by Justin Martyr and Tertullian ; the reason of which we find in the authors of the Questions and Answers in Justin Martyr. "It is," says he, "that by this means we may be put in mind both of our fall by sin, and our resurrection or restitution by the grace of Christ; that for six days we pray upon our knees, as in token of our fall by sin; but that on the Lord's-day we do not bow the knee, does symbolically represent our resurrection by which through the grace of Christ we are delivered from our sins, and the power of death." This, he there tells us, was a custom derived from the very times of the apostles, for which he cites Irenaeus in his book concerning Easter ; and this custom was maintained with so much vigor, that, when some began to neglect it, the great council of Nice took notice of it, and ordained that there should be a constant uniformity in this case, and that on the Lord's-day (and at such times as were usual) men should stand when they made their prayers to God. So fit and reasonable did they think it to do all possible honor to that day on which Christ rose from the dead. Therefore we may observe, all along in the sacred story, that after Christ's resurrection the apostles and the primitive Christians did especially assemble upon the first day of the week: and, whatever they might do at other times, yet there are many passages that intimate that the first day of the week was their most solemn time of meeting. . . .
       They looked upon the Lord's-day as a time to be celebrated with great expressions of joy, as being the happy memory of Christ's resurrection, and accordingly restrained whatever might savor of sorrow and sadness. Fasting on that day they prohibited with the greatest severity, accounting it utterly unlawful, as Tertullian informs us. . . . They never fasted on that day, no, not in the time of Lent itself; nay, the Montanists, though otherwise great pretenders to fasting and mortification, did yet abstain from it on the Lord's-day. And, as they accounted it a joyful and good day, so they did whatever they thought might contribute to the honor of it. No sooner was Constantine come over the church but his principle care was about the Lord's-day. He commanded it to be solemnly observed, and that by all persons whatsoever. He made it to all a day of rest; that men might have nothing to do but to worship God, and be better instructed in the Christian faith, and spend their whole time without anything to hinder them in prayer and devotion, according to the custom and discipline of the church. And for those in his army, who yet remained in their paganism and infidelity, he commanded them upon the Lord's-day to go into the fields, and there pour out their souls in hearty prayers to God; and that none might pretend their own inability to the duty, he him- self composed and gave them a short form of prayer, which he enjoined them to make use of every Lord's- day: so careful was he that this day should not be dishonored or misemployed, even by those who were yet strangers and enemies to Christianity. He more- over ordained that there should be no courts of judicature open upon this day, no suits or trials at law; but that for any works of mercy, such as emancipating and setting free of slaves or servants, this might be done. That there should be no suits nor demanding debts upon this day, was confirmed by several laws of succeeding emperors. . . . Theodosius the Great, anno 386, by a second law ratified one he had passed long before, wherein he expressly prohibited all public shows upon the Lord's-day, that the worship of God might not be confounded with those profane solemnities. This law the younger Theodosius some years after confirmed and enlarged, enacting, that on the Lord's-day not only Christians, but even Jews and heathens, should be restrained from the pleasure of all sights and spectacles, and the theaters be shut up in every place ; and whereas it might so happen that the birthday or inauguration of the emperor might fall upon that day, therefore to let the people know how infinitely he preferred the honor of God, before the concerns of his own majesty and greatness, he commanded that the imperial solemnity should be put off till another day.
       The early Christians did not think it enough to read and pray and praise God at home, but made conscience of appearing in the public assemblies, from which nothing but sickness and absolute necessity did detain them: and if sick, or in prison, or under banishment, nothing troubled them more than that they could not come to church, and join their devotions to the common services. If persecution at any time forced them to keep a little close, yet no sooner was there the least mitigation, but they presently returned to their open duty, and publicly met all together. No trivial pretenses, no light excuses, were then admitted for any one's absence from the congregation, but, according to the merit of the cause, severe censures were passed upon them. The synod of Illiberis provided that if any man dwelling in a city (where usually churches were nearest hand) should for three Lord's-days absent himself from the church, he should for some time be suspended the communion, that he might appear to be corrected for his fault. William Cave

Russian Easters, 1916

       Easter begins with a midnight service; but on the evening before, samples of the principal dishes to be used on the following day are brought into the church or placed on the outside steps, in order that they may share the blessing. Among these, truncated pyramids of curds and colored eggs are conspicuous. The streets are deserted, except in the neighborhood of the sacred buildings ; but these are filled to overflowing on this one occasion in the year, so that in the larger towns late comers must be content to view the ceremonies through the glass screen with which the more important churches are provided. At St. Petersburg all the higher officials are expected to attend the Imperial Chapel, which is not large enough to contain a tenth of their number. The rest walk up and down, and form a kind of conversazione outside. All through Passion Week the services have been gloomy, the altar has been denuded of its ornaments, and the priests have appeared only in black robes. Even on Easter Eve only such lamps are lighted as are absolutely necessary to allow the worshipers to take their places in an orderly way. As soon as midnight is past the priests appear in white garments, intoning the Easter hymn; and, when the tones are heard, the altar and the whole building are brilliantly lighted, as suddenly as the means at the disposal of the authorities will permit. The exterior of the building is also illuminated, and where but a few minutes before all was darkness and gloom there is now a little island of light. The men are dressed in their best clothes, the women are all in white. After some ceremonies, the procession of priests passes down the aisle and round the exterior of the building. Everywhere the greeting " Christ hath risen," with the response "Yea, He hath risen," may be heard; and the customary three kisses are given. Lent is over, and Easter has begun. The service, including the blessing of the food and the first Easter Mass, lasts till between two and three; after it is finished, the families return to their homes to break their long fast, and invite such of their friends as they may meet to accompany them. A large table is spread in the greatest room with all the delicacies and customary dishes of the season. In the good old times it was expected that the higher nobles should keep it fully furnished till Whitsuntide, and every one who entered the house was welcome to eat what he would standing by it ; but this custom has fallen into disuse, except perhaps in the most distant districts.
      The peasantry, hospitable as they are always, and more especially at this season of the year, cannot, of course, indulge in such excessive display; but they have observances of their own, particularly in Southern Russia. Before he goes to church with all his family, the countryman must take care that some log is left burning in the stove, or some lamp before the image of a saint, at which the Easter candles can be lighted. To forget this is not only to bring ill luck upon the house, but also to show oneself religiously indifferent ; in short, to be a most objectionable kind of person. Yet even for this sin there is forgiveness. . .
       Whenever a few compatriots are gathered together, when the Russian Easter comes, whatever their political or religious opinions may be, the old table will be spread, the old greetings will be exchanged, and the old dishes as far as possible reproduced or imitated; for, quite apart from the religious aspect of the festival, Easter is for the Russian what Christmas is for the German -- above all things, a family gathering. Both are celebrated with pomp at Court, both are duly commemorated in church, but it is not in these facts that their attraction consists. They are loved and ob- served because they recall memories of childhood -- and because they furnish a yearly opportunity of renewing old friendships and making up new differences.

The Bells of Kremlin

       Though the tower of Ivan Veliki is the finest belfry in Russia, it has no special beauty, but being two hundred and sixty-nine feet high, towers finely above all the other buildings of the Kremlin in the distant views. Halfway up is a gallery, whence the sovereigns from Boris to Peter the Great used to harangue the people. The exquisite bells are only heard in perfection on Easter Eve at midnight. On the preceding Sunday (Palm Sunday) the people have resorted in crowds to the Kremlin to buy branches, artificial flowers, and boughs with waxen fruits to hang before their icons. On Holy Thursday the Metropolitan has washed the feet of twelve men, representing the Apostles, in the cathedral, using the dialogue recorded in John xii. Then at midnight on Easter Eve the great bell sounds, followed by every other bell in Moscow; the whole city blazes into light; the tower of Ivan Veliki is illuminated from its foundation to the cross on its summit. The square below is filled with a motley throng, and around the churches are piles of Easter cakes, each with a taper stuck in it, waiting for a blessing. The interior of the Church of the Rest of the Virgin is thronged by a vast multitude bearing waxed tapers. The Metropolitan and his clergy, in robes blazing with gold and precious stones, have made the external circuit of the church three times, and then, through the great doors, have advanced towards the throne between myriads of lights. No words can describe the colors, the blaze, the roar of the universal chant. Descending from the throne, the Metropolitan has incensed the clergy and the people, and the clergy have incensed the Metropolitan, whilst the spectators have bowed and crossed themselves incessantly. After a service of two hours the Metropolitan has advanced, holding a cross which the people have thronged to kiss. He has then retired to sanctuary, whence, as Ivan Veliki begins to toll, followed by a peal from a thousand bells announcing the stroke of midnight, he emerges in a plain purple robe, and announces, "Christos voscres!" Christ is risen. Then kisses of love are universally exchanged, and, most remarkable of all the Metropolitan, on his hands and knees, crawls around the church kissing the icons on the walls, the altars, and the tombs, and, through their then opened sepulchers, the incorruptible bodies of the saints. After this no meetings take place without the salutation "Christos voscres," and the answer, "Vo istine voscres " (He is risen). Augustus J. G. C. Hare

A Madrigal

A Madrigal
by Clinton Scollard

Easter-glow and Easter-gleam !
Lyric laughter from the stream
That between its banks so long
Murmured such a cheerless song;
Stirrings faint and fine and thin
Every woodsy place within ;
Root and tendril, bough and bole.
Rousing with a throb of soul ;
The old ecstasy awake
In the briar and the brake;
Blue-bird raptures -- dip and run --
And the robin-antiphon ;
Tingling air and trembling earth,
And the crystal cup of mirth
Brimmed and lifted to the lip
For each one of us to sip.
Dream! -- 'tis something more than dream,
Easter-glow and Easter-gleam!
Prescience 'tis, and prophecy
Of the wonder that shall be
When the spirit leaps to light
After death's heimal night!

The Barren Easter

Parable of the seed sower. Those who sow
seed do not always harvest, but must wait
to see God's rewards in the here after.

The Barren Easter
by Clinton Scollard

It was the barren Easter,
And o'er Pamello plain,
Where'er the sweeping eye might rove,
From beechen grove to beechen grove.
Greened neither grass nor grain.

It was the barren Easter;
By vale and windy hill,
Where blossoms tossed on yester year,
Now bourgeoned no narcissus spear,
And glowed no daffodil.

It was the barren Easter,
And toward the grinding-floor,
A store of wheat within his pack,
Along the dreary meadow-track
Went good Saint Isadore.

It was the barren Easter,
And when the sweet saint came
To where a mighty live-oak spread,
A host of wrens and starlings red
Seemed crying out his name.

It was the barren Easter,
And to his ears their cry
Rang plaintively, "O Isadore,
Grant us thy pity, we implore!

Give succor, or we die! "
It was the barren Easter
When wide he flung his store.
And all the feathered folk of air
Sped whirring downward for their share
From kind Saint Isadore.

It was the barren Easter
And onward to the mill
Along the dreary meadow-track.
The empty bags within his pack,
The good saint plodded still.

It was the barren Easter;
He scarce knew why he went,
Save that he did not dare return
To face his master, grim and stem.
Now all his grain was spent.

It was the barren Easter;
When at the miller's feet
He cast the sacks in dull despair,
Behold, he saw them open there
Abrim with golden wheat !

It was the barren Easter;
Oh, meager are men's words
To tell how He that rose that day.
And drove the wraith of Death away,
Helped him who fed the birds!

Easter Even

Easter Even
by Margaret French Patton

Our dear Lord now is taken from the cross,
His bruised body wrapped in linen cool.
And laid by loving hands in Joseph's tomb;
Outraged Nature bows her head and sleeps;
The guard is set; Jerusalem is still.

Ye sleeping buds, break
Open your green cerements, and wake
To fragrant blossoming for His sweet sake;
To-morrow will be Easter day,
And I would have my garden gay
On Easter day.

Ye home-bound birds, take
Swift-winged flight, that from my budding brake
Your joyful hallelujahs ye may make;
To-morrow will be Easter day.
And I would have my garden gay
On Easter day.

Ye strolling winds, shake
Out your drooping sails, and heavenward take
The songs and sweet aromas for His sake;
To-morrow will be Easter day.
And I would have my garden gay
On Easter day.

Early in the morning while 'tis dark,
Like Mary Magdalen, with spices rare,
I, too, shall hasten to my garden fair
To seek, our risen Lord. Who knows? For love
Of birds and buds He may be walking there.

An Easter Carol

 An Easter Carol
by Christina G. Rossetti

Spring bursts to-day,
For Christ is risen and all the earth's at play.

Flash forth, thou Sun,
The rain is over and gone, its work is done.

Winter is past,
Sweet Spring is come at last, is come at last.

Bud, Fig and Vine,
Bud, Olive, fat with fruit and oil and wine.

Break forth this morn
In roses, thou but yesterday a thorn.

Uplift thy head,
O pure white Lily through the Winter dead.

Beside your dams
Leap and rejoice, you merry-making Lambs.

All Herds and Flocks
Rejoice, all Beasts of thickets and of rocks.

Sing, Creatures, sing,
Angels and Men and Birds and everything. 
 

Wednesday, September 6, 2017

Father

Father
by S. E. Kiser

When all my other debts are paid
My greatest debt will yet be due
For sacrifices you have made
And cares that I have brought to you.

I have been slow to understand
The patience and the love and pride
With which for my sake you have planned,
Your own ambitions put aside.

When others have withheld from me
The praise that I have longed to hear,
You, Father, have been quick to see
And glad to speak the word of cheer.

With eager efforts you have sought
To smooth my paths and make them fair,
Unselfishly expecting naught
In payment for your tender care.

I have been slow to learn, but now,
With recollections that are sweet,
I braid a laurel for your brow
And lay my tribute at your feet.

My Father's Voice in Prayer

My Father's Voice in Prayer 
by May Hastings Nottage

In the silence that falls on my spirit
When the clamor of life loudest seems,
Comes a voice that floats in tremulous notes
Far over my sea of dreams.
I remember the dim old vestry
And my father kneeling there;
And the old hymns thrill with the memory still
Of my father's voice in prayer.

I can see his glance of approval
As my part in the hymn I took;
I remember the grace of my mother's face,
And the tenderness of her look;
And I knew that a gracious memory
Cast its light on that face so fair
As her cheek flushed faint--O mother, my saint!--
At my father's voice in prayer.

"Neath the stress of that marvelous pleading
All childish dissensions died:
Each rebellious will sank conquered and still
In a passion of love and pride.
Ah, the years have held exquisite voices,
And melodies tender and rare;
But tenderest seems the voice of my dreams--
My father's voice in prayer.

Sculpture & Pottery Index

Read more about Tony Tasset 
and his "Eye" sculpture.
       Sculpture the art of imitating living forms in solid substances. The word means, strictly, a cutting, or carving, in some hard material, as stone, marble, ivory or wood; but it is also used to express the molding of soft substances, as clay or wax, and the casting of metals or plaster. Three forms of sculpture are usually recognized. When the object stands free, it is said to be in the round; when it projects slightly from a sold surface it is said to be in relief; when it is cut into or sunk down into the surface is said to be in intaglio.
       The following methods of manipulating clay are typical of art assignments given to students (k-5th grade) in the United States: roll out a slab, stamp into clay, drape over a bowl, roll out a coil, carve out a design, pinch a pot, and join surfaces together. All of my clay crafts/lesson plans use some sort of combination of these methods in order to finish the project.
Artifacts About Sculpting Figures and Basic Pottery Shapes:
Lesson Plans & Crafts from Art Education Daily Related to Sculpture: 
  1. Ceramic Pinch Pots With Animal Features (porcelain clay)
  2. Sculpt Peruvian Peasant and Llama Ornaments
  3. Ceramic Coil Pots (porcelain clay)
  4. Sculpt a few tacos with papier-mâché
  5. Ceramic Slab Masks (porcelain clay)
  6. Ceramic Animals (porcelain clay)
  7. Handcraft your own artisan pizza
  8. Ceramic ClaySlab People (porcelain clay)
  9. Ceramic Drape Bowls (porcelain clay)
  10. Bend a pipe-cleaner puppy
  11. Ceramic Cupcakes (porcelain clay)
  12. Ceramic Turtles (porcelain clay)
  13. Shape a dozen papier-mâché doughnuts
  14. Making a "Galimoto" (recycling wire, newsprint, pipe cleaners etc...)
  15. Ceramic Pies "All American Berry Pie" (porcelain clay)
  16. Effigy Pots Lesson Plan (mache sculpture)
  17. African Masks Made From Recycled Materials: Cardboard 
  18. The "Manga Creature" Art Doll Challenge
  19. Assemblage Art Made from Throwaways 
  20. Diorama of Fashion Display Window    

Four Different Varieties of Pottery

       Three of the most common varieties of pottery are Earthenware, Stoneware, and Chinaware or Porcelain and one far less common is Micaceous clay pottery made famous by Pueblo Native American potters.
       Earthenware, which includes all of the coarser grades, from the ordinary stoneware, of which jugs and crocks are made, to the heavier grades used for culinary and table purposes. Earthenware is undoubtedly the earliest, form of pottery, and rude articles are found among' all uncivilized people.
       Stoneware, a high grade of earthenware. The term is often applied to numerous varieties in most common use. It is hard, well enameled and often beautifully decorated.
       Chinaware or Porcelain, the finest grade of pottery. It is made by mixing' the best quality of kaolin with a Chinese clay containing' a little silica. When fused at a high temperature these ingredients produce a beautiful translucent ware. Porcelain originated with the Chinese, hence the name china, or chinaware. It is known to have been manufactured as early as 950 b. c. Prom China and Japan come the most delicate and beautiful specimens of this Chinaware. 
       The manufacture of china was introduced into Europe early in the sixteenth century, and numerous establishments now exist both on the Continent and in England. The oldest and best known of these is near Dresden. Saxony, and from this city the ware has taken its name. Dresden china has attained wide popularity and is prized for its excellent quality and beautiful finish. 

My favorite pottery is made by Native American potters.
Above is a video describing Micaceous clay Pueblo pottery.

Firing, Glazing and Decorating

Molds made of plaster of Paris for ceramics class.
       Vessels that are not round are usually cast in molds, made of plaster of Paris, each half of the vessel being made separately and the parts joined together when taken from the molds.
       Pottery is burned, baked or fired in kilns, which vary in size and shape according to the sort of ware for which they are designed. The higher grades of ware are placed in cylindrical earthen boxes, called saggers. The saggers are stacked in the kiln by packing in tiers, one above the other. The ware is usually raised to a white heat, which is maintained for thirty-six hours or more, after which the kiln is allowed to cool slowly. When cold, the ware is taken from the saggers, and in this state it is called biscuit. The rough places on the surface are now smoothed, and other finishing touches are given, after which the ware is glazed.
       The process of glazing is accomplished by dipping the ware in a mixture called the slip. This is a solution of the glazing substance in water and is but little thicker than milk. The ware is dipped in, and on being removed, it is so handled that no drops are left standing on the surface. The porous walls absorb the water and leave a thin coating on the surface, which, on a second firing, passes into the clay and forms the glaze. By the addition of necessary pigments, coloring can also be produced with the glaze. When this is poured on and allowed to ran down until stopped by the heat, beautifully shaded effects are often produced.
       Decorations are usually put on with a brush, either before or after glazing. If decorated after glazing, the ware must be fired a third time. Decorating requires great care and skill, as the colors, when put on, are entirely different from those which will appear after firing. For instance, gold is put
on in the form of a chloride which has a brown color.  


Applying a slip to a pot by Bill Gilder.

How a potter works his or her clay...

       The first step in making pottery is to grind the clay to a very fine powder, which is mixed with water into a dough-like mass. In the manufacture of ordinary stoneware, a quantity of this dough sufficient for the vessel is attached to a horizontal wheel called the potter's wheel, which is worked by foot power. The workman forms the clay into a cone with a blunt apex. Then by inserting his thumbs into the apex of the cone and revolving the wheel, he roughly shapes the vessel with his hand. After this, the walls are pared and smoothed inside and out by tools of wood or leather. During the working, the clay, tools, and hands of the workmen are kept moist. When shaped, the vessel is placed in the drying room, where it is allowed to harden, after which it is ready for burning. 

Fine potter, Emily Reason, demonstrates "working the clay"

Varieties of Clay and Glazes

       Pottery is made of various grades of clay, to which sometimes small proportions of fine sand, powdered feldspar or flint are added, the kind and proportion of these ingredients determining the sort of ware. 
       Clays that contain any appreciable quantity of iron turn red when burned, as in the making of brick, and much of the coarsest grade of earthenware is made of this kind of clay. Other varieties turn to a cream color, and others become a reddish-brown. The finest quality of clay used for pottery is known as kaolin and is pure white. Some varieties of clay contain enough sand to make the glaze or enamel, but for most wares this must be added. The glaze is made by different substances for different wares. That of stoneware, such as common jugs and crocks, is made by throwing common salt into the furnace, where it is decomposed and fuses with the clay. Other varieties of stoneware are glazed by a mixture of white lead, flint and glass ground together; while porcelain is glazed by still another composition. 

Glazing your ceramics.

The Buster Brown Index

Richard Felton Outcault.
       Richard Felton Outcault was born on January 14, 1863 and died on September 25, 1928. He was the American cartoonist who created the series The Yellow Kid and Buster Brown, and he is considered a key pioneer of the modern comic strip.
       Richard Outcault introduced Buster Brown to the pages of the Herald on May 4, 1902, about a mischievous, well-to-do boy dressed in Little Lord Fauntleroy style, and his pit-bull terrier Tige. The strip and characters were more popular than the Yellow Kid, and Outcault licensed the name for a wide number of consumer products, such as children's shoes from the Brown Shoe Company. In 1904 he sold advertising licenses to 200 companies at the Louisiana Purchase Exposition. Journalist Roy McCardell reported in 1905 that Outcault earned $75,000 a year from merchandising and employed two secretaries and a lawyer. Read more...

Artifacts About the Buster Brown Cartoons:
  1. Buster Brown and Tige at Dinner
  2. Buster Brown Silent Films
  3. The Buster Brown Musical Comedy
  4. Buster Brown's History
  5. Buster Brown's Elec. R. R.
  6. Buster Brown's Paper Bike
  7. Buster Brown's Paper Sled
  8. Buster Brown Coloring Pages

Mosaic & Collage Index

Read more about "Ricardo Cat" at my
new art repository.

       The invention of Mosaic may perhaps be attributed to the Romans. They used it to pave their buildings and cover their walls. The Byzantines, however, made popular, under the name of "opus Groecum," or "Groenieum," a kind of mosaic composed of little cubes in clay and in colored and gold glass. This process must have been used at Cordova, for the ceiling of the mosque, for instance; it prevailed in the early stages of Arabic art. It is presumed that these mosaics are the work of several Andalusian artists, although originally they were executed in old buildings by Greek workmen, steeped in Byzantine traditions. In the same sense may be considered the marvellous mosaics of the Koubbet-es-Sakhra, in Jerusalem.
       In Egypt, in Arabic period, mosaic was made in two ways. It consisted of small marble cubes applied to a mortar bed, or of various pieces of marble fixed in a single piece which formed the background of the work. The latter method resembles inlay work. The marbles which were most frequently used in the mosaics of Cairo were red, yellow, black and white.
       Collage is a technique using magazine and newspaper clippings, ribbons, paint, bits of colored or handmade papers, portions of other artwork or texts, photographs and other found objects, glued to a piece of paper or canvas. The origins of collage can be traced back hundreds of years, but this technique made a dramatic reappearance in the early 20th century as an art form of novelty. It is the hands on method most often used by art teachers in America to teach students about mosaic art because it may be used to demonstrate similar design principles used in both applications.
       For this same purpose I have combined these two art practices under the same index.

Artifacts Representing Both Mosaic and Collage Applications:
  1. Craft Three Age Appropriate Clover Mosaics for St. Patrick's Day
  2. Craft a Fall Landscape Using Leaf Rubbings
  3. A Fall Collage Featuring An Owl
  4. Paper Snake Mosaics
  5. Craft a Goldfish Turkey Collage
  6. Craft a Pretzel Turkey Collage
Mosaic and Collage Projects from Art Education Daily:
  1. Decoupage a seed and bean abstract mosaic
  2. Craft a mosaic tea tray
  3. "Don't Pave Paradise!" (magazine collage) 
  4. Decoupage a valentine post box
  5. Make a miniature decoupage bottle
  6. "Portrait of A Survivor" (newspaper collage) 
  7. Assemble a mosaic birdhouse
  8. Mosaic an angel 
  9. Surreal Landscapes (magazine collage)
  10. Decoupage a postage stamp vase
  11. Glue together a shell mosaic box
  12. A Mosaic Mobile Home (working with seed and bean mosaics) 
 More Featured Collage/Mosaic Arts and Crafts:

Weaving Index

A Jacquard Loom, was invented by Joseph
Marie Jacquard in 1804.
       Weaving, the art of making cloth by means of a loom, from threads or yarn. It is not known when weaving was first practiced, but it is certain that it is one of the earliest of the arts, and it seems probable that hand looms were invented independently by several of the ancient nations. The Greeks and Romans brought the weaving art to a high degree of perfection. Among modern countries Italy was the first to acquire fame for the manufacture of woolen and cotton cloths. France, England, Germany and the United States later developed extensive weaving industries. Since the fibers of wool are much more easily worked than are those of cotton or flax, woolen cloth has always been made among the more primitive peoples before they attempted fabrics of linen or cotton.
       In weaving, two sets of threads are necessary, one running lengthwise of the cloth, and called the warp, the other running crosswise, and called the weft, or woof. The threads of the warp are arranged on the loom by being wound on a yarn beam, at the back, and stretched evenly to the front, where they are fastened to another beam, upon which the cloth is to be wound. In passing from one beam to the other, the warp threads are laid through the heckles and also through a comb on the batten. In laying the warp, every other thread passes through one heckle, and the alternate thread passes through the other. The weft is wound upon bobbins, which are placed in the shuttle, by means of which the weft is laid in position. Weaving by hand loom includes the following steps: (1) Pressing a treadle, which is connected with the heckles by a cord that passes over a pulley on the top of the loom. This spreads the threads of the weft, raising one-half and lowering the others, so that they form an angle called the shed. (2) Throwing the shuttle across the warp and thus laying the thread of the weft in position. (3) Striking this thread with the batten, so as to drive it close up against the one previously laid. (4) Springing, down the opposite treadle and thus preparing the web for the nest thread of the weft.
       Weaving in these times is almost exclusively done by power looms, operated by steam or electricity. Simple as the hand loom is, it contains the elements of all modern looms. The complexity of the pattern may be increased by placing more than two frames in the heckle and dividing the weft into more parts, also by inventions which raise certain threads in the warp at one time and certain others at another. An invention known as the Jacquard loom operates upon this plan. Any number of cords can be used, so that a pattern of any degree of complexity is possible, and since all cords are tied together in the form of an endless chain, the pattern may be repeated indefinitely.

Weaving Artifacts for Teachers: 
  1. Weave Indian Corn for Autumn Fun!
  2. Weave a Paper Dress
  3. Noyeokgae
  4. Weave Some Yarn Trees 
  5. Weave a Spider's web for a Spooky Fall Craft
More Information and Ideas at Art Education Daily:
Page last updated October 11th, 2017 

Tuesday, September 5, 2017

Bird Index

Examples of Bird Crafts and Poems in my collection below.
        Birds, the only feathered creatures of the animal kingdom. They belong to the back-boned or vertebrate group, are warmblooded, and most of them can fly. Because of their varied and beautiful coloring, their gift of song and the gentle nature of the majority, birds are perhaps the best loved by mankind of any group of animals. It is true that some species, like the hawk and the vulture, have seemingly no lovable qualities; there are birds, too, of ugly shape and plumage, and there are birds which utter harsh cries instead of singing notes. Yet, to the average person, the word bird brings altogether pleasant associations - thoughts of a graceful bright-hued form flitting through the trees, of a nest of tiny creatures fed by a devoted mother, of a chorus of woodland songsters.
Bird Artifacts for Enhancing Lesson Plans:
  1. Craft a Funny Gobbler from Paper Plates
  2. Practice Shading An Owl
  3. The Woodpecker
  4. A Fall Collage Featuring An Owl
  5. Craft a Pretzel Turkey Collage
  6. The Sea Gull by Mary Howitt 
  7. Nature Inspired Field Trips
  8. Craft a Goldfish Turkey Collage
  9. The Snow-Bird 
  10. The Owl and The Jay Bird
  11. Birds In Winter - poem
  12. How to Draw: A Pelican
  13. A Wise Old Owl
  14. Doodle a candy corn turkey, landscape, birds, butterflies etc...
  15. Crayon Resist Parrots
  16. Learning to draw birds
  17. The Owl by Tennyson
  18. The Turkey's Lament by King Gobbler
  19. "The Raven," by Edgar Allen Poe
  20. Widdy-Widdy-Wurky
  21. Poems About Birds 
  22. The Fowls
  23. The Ostrich 
  24. Wildlife Stencils for The Classroom: bluebird and jay
  25. How to draw a peacock, an ostrich and a blue jay... 
  26. The Interrupting Owlet

His Wish

His Wish 

If a good little fairy should come up to me
And give me a wish, I just know what twould be.
I'd wish 'stead of one little boy I was three,--
One English, one Chinese and one just me.

Thats what I'd wish, and do you know why?
'Cause 'stead of one best day that seems to just fly,
I'd have three of those days in the year, oh my!
Guy Fawkes' day and New years and Fourth of July.

The Happy Wind

The Happy Wind
by Ninette M. Isowater

A Happy little southern wind
Went wandering away;
It was the dearest little wind
That ever went astray.

It touched the city's outer edge,
Then swiftly turned aside,
For it had heard that little winds,
Caught by the hot streets, died.

It wend along a country lane,
And through the meadows fair; 
It lifted up a horse's mane,
And stirred a baby's hair.

It lingered in a quiet place
Where tall, fair lilies grow;
When moon drew near, it hid itself
Where pines stand in a row.

It slept until the shadows turned,
Then, dancing, went its way;
No other little wind that blew
Had such a pleasant day.

The Fourth of July

The Fourth of July 
by Aunt Fanny

Come, wake up, girls, come
wake up, boys!
The dawn is very near;
The day we celebrate with noise,
The jolly Fourth is here.
Come, get your crackers for
the fun,
Both big and little size;
We'll wake up echoes when
the sun
Begins to open his eyes.

It's pop and bang till shadows
fall,
Then, when the night comes
on,
The most exciting time of all
Is fireworks on the lawn.
Pa sets the rockets 'gainst a 
post, They fizz and screech and
fly,
They fizz and screech and fly
Away up out of sight a'most,
Then crash against the sky!

Monday, September 4, 2017

Sea shells, star fish, mollusc shells and sea horse clip art


Shells, star fish, mollusc shells and sea horses drawn by me and for classroom projects and personal crafts only. I will be posting a variety of project suggestions here that use them.

Don't forget to drag the png. or jpg into a Word Document and enlarge the image as much as possible before printing it folks. If you have a question about this coloring page, just type into the comment box located directly below this post and I'll try to get back to you as soon as I can.

Tiny sea shells for games, crafts, and counting books


A collection of miniature shells drawn by me and for classroom projects and personal crafts only. I will be posting a variety of project suggestions here that use them.

Don't forget to drag the png. or jpg into a Word Document and enlarge the image as much as possible before printing it folks. If you have a question about this coloring page, just type into the comment box located directly below this post and I'll try to get back to you as soon as I can.